El Lissitzky Biography

El Lissitzky, Artist
Born asLazar Markovich Lissitzky
Occup.Artist
FromRussia
SpouseSophie Lissitzky-Küppers
BornNovember 23, 1890
Pochinok, Russian Empire
DiedDecember 30, 1941
Moscow, USSR
CauseHeart Attack
Aged51 years
El Lissitzky, born Lazar Markovich Lissitzky on November 23, 1890, in Pochinok, Smolensk Governorate, Russia, was a popular Russian artist, developer, designer, as well as professional photographer who played a vital role in the growth of modern-day art in Russia during the very early 20th century. He was a crucial figure in the Russian Suprematist, Constructivist, and the progressive activities and left a long-term influence on graphic layout, typography, and style worldwide.

Lissitzky matured in a Jewish household as well as obtained his main education in the traditional Jewish cheder. Later on, his household transferred to Vitebsk, where he went to senior high school with ambitions of ending up being an architect. At the age of 15, he related to the Saint Petersburg Art Academy but was rejected admission as a result of the constraints troubled Jewish trainees. Ultimately, Lissitzky traveled to Germany in 1909, where he registered in the Technical University of Darmstadt to study design as well as engineering.

Throughout his time in Germany, Lissitzky was heavily influenced by modern art, particularly the jobs of German Expressionism and Jugendstil. He returned to Russia in 1914 as an established engineer as well as engineer, and also throughout the same year, he started developing and also showing Yiddish-language children's books. While his very early creative works were affected by his Jewish heritage, he soon created a gratitude for the abstract art motions of the time.

In 1918, while showing at a Polytechnic Institute in Vitebsk, Lissitzky met Kazimir Malevich, the founder of Suprematism, who had an extensive impact on his imaginative direction. Malevich's approach of a non-objective, abstract world reverberated with Lissitzky, and also he signed up with the Suprematist activity, creating innovative art pieces that contributed to the advancement of the Constructivist art motion.

In the 1920s, as the Soviet Union was emerging and also the power dynamics shifted in the country, El Lissitzky carefully dealt with fellow Russian Constructivist artists, such as Alexander Rodchenko as well as Varvara Stepanova. These collaborations resulted in the development of innovative layouts, like photomontages, publications, and also posters that captured the spirit of the new Soviet culture.

Lissitzky's the majority of prominent work from this duration is the collection "Proun" (acronym for "Project for the Affirmation of the New"), containing abstract geometric make-ups, checking out the connection in between forms, area, and activity. With this job, Lissitzky aimed to connect the void between fine arts and used arts, believing that art ought to offer an useful purpose.

His versatile ability additionally led to skillful developments of style as well as interior design projects; one remarkable task was designing the Wolkenbugel, a horizontal high-rise, which was an optimistic vision of urban area layout.

In the 1930s, El Lissitzky continued to service a wide range of tasks, from exhibit installations to print designs for government publicity. However, his wellness wore away because of consumption, which he had gotten in his youth. Regardless of his getting worse health, Lissitzky continued to be active until his fatality on December 30, 1941, in Moscow.

The heritage of El Lissitzky withstands to now, with his avant-garde as well as cutting-edge concepts deeply influencing different artistic disciplines such as graphic style, typography, digital photography, and also style. His special artistic vision as well as drive to produce purposeful art added substantially to the growth of contemporary art both in Russia and worldwide.

Our collection contains 10 quotes who is written / told by El.

Related authors: Kazimir Malevich (Artist), Lawrence Taylor (Athlete)

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10 Famous quotes by El Lissitzky

Small: Art does not need us, and it never did
"Art does not need us, and it never did"
Small: The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything t
"The artist constructs a new symbol with his brush. This symbol is not a recognizable form of anything that is already finished, already made, already existing in the world - it is a symbol of a new world, which is being built upon and which exists by way of people"
Small: The artist should not become an artisan
"The artist should not become an artisan"
Small: The constructor is the artist who develops the power of the machine to make it a spiritual organism
"The constructor is the artist who develops the power of the machine to make it a spiritual organism"
Small: The sun as the expression of old world energy is torn down from the heavens by modern man, who by virtu
"The sun as the expression of old world energy is torn down from the heavens by modern man, who by virtue of his technological superiority creates his own energy source"
Small: We consider the triumph of art to be not in the emotional or the psychological spheres, but rather in t
"We consider the triumph of art to be not in the emotional or the psychological spheres, but rather in the constructive"
Small: Let us create a new guild of craftsmen, without the class distinctions that raise an arrogant barrier b
"Let us create a new guild of craftsmen, without the class distinctions that raise an arrogant barrier between craftsman and artist!"
Small: The purpose of art is to impart the sensation of things as they are perceived and not as they are known
"The purpose of art is to impart the sensation of things as they are perceived and not as they are known"
Small: The task of the artist is to construct a new order of life
"The task of the artist is to construct a new order of life"
Small: The book is a piece of architecture. The text forms the columns the pages are the walls
"The book is a piece of architecture. The text forms the columns; the pages are the walls"