A Marked Man (1917)

A Marked Man Poster

Bandit Cheyenne Harry reforms because of the faith placed in him by Molly Young and her father. Soon, however, Harry is lured from the straight and narrow when he meets his old friend Ben Kent and consents to participate in Kent's plan of robbing a stagecoach.

Overview
"A Marked Man" is a 1917 American silent drama film directed by John Ford. This action-packed narrative showcases Ford's early understanding of storytelling and character development. The film stars Harry Carey as Cheyenne Harry, a character typical in several of Ford's western series. Although the film has largely been lost in time, pieces and reviews provide a vision of the plot and theme.

Plot
The film opens as Harry, a reformed burglar, emerges from prison promising to leave his criminal past behind. He moves to a small desert town where a gold mine is the main source of wealth. Harry discovers work at the mining business and ends up being a committed and hardworking member of the neighborhood.

However, problem develops when the mine's manager devises a plan to steal the gold with the aid of some untrustworthy characters, seeing the blame quickly put on the ex-convict. The well-thought-out strategy works completely, and Harry is marked as the criminal of the crime.

Character Development
Caught in an unwinnable circumstance, Harry is forced to leave with his precious horse, pursued by a mob of townsfolk and police. It's during this desperate escape that Harry's character really unfolds. Despite the unfair accusations, he displays an honorable restraint amid the chaos and does not resort to violence.

The narrative deviates when Harry rescues Bess, the mine's owner's child, from a stagecoach accident, showing his kind heart regardless of his harmful situation. This unexpected act of compassion brings a short-term truce between Harry and the mob as they all work together to conserve Bess.

Resolution
In the film's ending, Harry, to prove his innocence, stages a conflict with the genuine crooks. With creative preparation and boldness, he manages to corner the guilty parties, compelling them to admit their abhorrent deeds openly. The reality is exposed, and the once ostracized Harry is now hailed as a hero, clearing his name and protecting his place in the neighborhood.

Themes and Style
"A Marked Man" successfully weaves a story of redemption and honor in the face of deceptiveness and misconception. The movie's central theme focuses on the principle of a 'significant male' While Harry is actually marked as a criminal, the story subtly hints that everyone brings undetectable marks that define them.

John Ford's direction is good, offering depth to the characters and complexity to the storyline. His depiction of the traditional 'guy against the world' circumstance resonates strongly, as does his representation of an underdog hero whose real character stands tall amidst adversity and false allegations.

Conclusion
"A Marked Man" is an early testimony to John Ford's extraordinary storytelling expertise. The quiet film period allowed filmmakers to master the art of visual storytelling, and Ford utilised it to full effect in this movie, portraying Harry's character development alluringly without the need for dialogue. Despite the fact that much of the movie is lost, what is known paints a potent image of Ford's narrative capabilities and the power of silent movie theater.

Top Cast

  • Harry Carey (small)
    Harry Carey
    Cheyenne Harry
  • Molly Malone (small)
    Molly Malone
    Molly Young
  • Harry L. Rattenberry
    Mr Young
  • Vester Pegg
    Ben Kent
  • Anna Townsend
    Harry's mother
  • William Steele (small)
    William Steele
    Sheriff
  • Hoot Gibson (small)
    Hoot Gibson
    Undetermined Role