A Midsummer Night's Dream (1964)

Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the kingdom of fairies have a slight quarrel about whether or not the boy Titania is raising will join Titania's band or Oberon's, so Oberon tries to get him from her by using some magic. But they're not alone in that forest. Lysander and Hermina have there a rendezvous, Helena and Demetrius are there, too as well as some actors, who are practicing a play for the ongoing wedding of Theseus and Hippolyta. Due to some misunderstandings by Puck, the whole thing becomes a little bit confused...

Intro to "A Midsummer Night's Dream" (1964)
"A Midsummer Night's Dream" is a cinematic adaptation of William Shakespeare's play of the exact same name, directed and produced in 1964 by Austrian movie director JirĂ­ Trnka. Though not as commonly referred to as other movie adjustments of Shakespeare's works, this version stands apart due to its unique discussion, as it was used puppet animation. This strategy offers the film a fantastical quality that complements the mythical and surreal nature of the original play, which weaves together the stories of humans and fairies.

Plot Overview
The plot of "A Midsummer Night's Dream" revolves around the romantic entanglements and misadventures of 2 pairs of mortal lovers-- Hermia and Lysander, and Helena and Demetrius-- whose lives end up being intertwined with the wonderful world of fairies. The fairy king Oberon and his naughty servant Puck play essential roles in controling the love and relationships of the people through making use of a magic potion, causing a series of funny and disorderly events.

As the movie advances, the setting alternates in between Athens, where the human characters are involved in a romantic tangle decreed by the unwritten laws, and the captivated forest, where the fairy kingdom lives. The film records the humor and whimsy of Shakespeare's play while maintaining its poetic appeal and intricate interactions amongst the characters.

Artistic Elements and Style
Trnka's movie is significant for its creative design, characterized by the in-depth and meaningful puppetry that brings the characters to life. The puppets utilized in the movie are elaborately crafted, allowing for a range of emotions and actions that are extremely meaningful, given the restrictions of the medium. The animation is graceful and innovative, transporting audiences to the heavenly forest where much of the play's action unfolds.

The setting and atmosphere of the film echo the fantastical themes present in Shakespeare's work, with highly developed backgrounds and a color combination that emphasizes the magical and dream-like quality of the narrative. The music and sound design further boost the mystical atmosphere of the story, while the voice acting, albeit limited by the puppetry, delivers the lines with emotion and clearness, catching the poetic nature of the initial text.

Styles and Interpretation
Through its portrayal of mix-ups, wonderful interventions, and love triangles, "A Midsummer Night's Dream" touches upon themes of love, illusion, and change. The movie explores the unpredictable nature of love and the often capricious dynamics of romantic relationships. Additionally, it highlights the contrast between the logical world of the Athenians and the illogical, magical domain of the fairies, suggesting an underlying commentary on the human condition and the power of imagination.

The interaction in between the supernatural elements and the mortal characters creates a narrative where reality and fantasy blur, emphasizing the dreamlike state referenced in the title. The film is faithful to the play's assessment of these styles, underscoring the comical elements while maintaining a sense of marvel and magic.

Reception and Legacy
The 1964 puppet animation adaptation of "A Midsummer Night's Dream" stays a distinct interpretation of Shakespeare's comedy. While it may not have achieved the mainstream appeal of other versions, the film holds a special place in the hearts of those who value the crossway of classical literature and innovative animation. Trnka's film continues to be commemorated for its innovative vision and the precise workmanship of the puppetry, making sure that it maintains a distinct niche in the pantheon of Shakespeare adjustments in film.

Top Cast

  • Patrick Allen (small)
    Patrick Allen
    Theseus
  • Eira Heath
    Hippolyta
  • Cyril Luckham (small)
    Cyril Luckham
    Egeus
  • Tony Bateman
    Philostrate
  • Jill Bennett (small)
    Jill Bennett
    Helena
  • John Fraser (small)
    John Fraser
    Lysander
  • Maureen Beck
    Hermia
  • Clifford Elkin
    Demetrius
  • Anna Massey (small)
    Anna Massey
    Titania
  • Peter Wyngarde (small)
    Peter Wyngarde
    Oberon
  • Tony Tanner
    Puck