Every Girl Should Have One (1978)

Overview
"Every Girl Should Have One" is a 1978 comedic mystery film directed by Robert Hyatt. This American film provides a delightful blend of funny, romance, and thriller. Headlined by stars like Zsa Gabor, Robert Alda, and Alexandra Hay, the feature film is set mainly within the high-stakes world of haute couture in New York City.

Plot
The story unfolds as an invaluable Egyptian statue called "The Princess", which belongs to an affluent designer named Pauline (played by Zsa Gabor), goes missing out on from her extremely secure apartment. The statue has significant prospective value at auction, as it is encrusted with precious gems. The theft of this product enhances tensions and intensifies the drama, setting off an infuriating search.

The plot thickens as a lovely however sly burglar, Peter (Robert Alda), and his naïve assistant, Alice (Alexandra Hay), are exposed to be behind the theft. They choose to conceal the statue in plain sight by camouflaging it as a mannequin in the fashion house where Alice works, resulting in a series of humorous misadventures. As the quest for the missing out on statue heightens, the characters find themselves braided in a wild chase filled with surprising twists, comedic exchanges, love, and secret.

Characters and Performances
Zsa Zsa Gabor's representation of the fussy and aggressive Pauline brings a distinct style to the movie. Robert Alda's smart efficiency as Peter adds an aspect of wit and humor to the story, manifesting in many appealing adventures. Hay's naïve yet sweet Alice provides the movie its romantic subplot, particularly as an innocent love interest to Peter. The ups and downs in between these characters form the essence of the story, keeping the audience engaged. Significantly, Alice's establishing relationship with Peter adds a layer of intricacy to the plot.

Themes and Reception
"Every Girl Should Have One" deals with numerous themes, consisting of deceit, love, and the lengths people will go to for wealth. The movie efficiently includes comedy and mystery to depict these styles, developing a quirky edge that sets it apart from standard movies of comparable categories.

However, regardless of its distinct approach to storytelling, the movie got combined evaluations from critics. Some admired its comedic aspect, engaging narrative, and well-timed suspense while others felt that the plot lacked depth and the performances were not compelling enough. The movie did, nevertheless, garner a cult following for its campy humor, chase sequences, and the magnetic existence of Zsa Gabor.

Conclusion
In general, "Every Girl Should Have One" is a light-hearted, entertaining film, offering fascinating performances and a fascinatingly complex plot. The film's colorful characters and intricate web of deceit make for an engrossing viewing experience. Despite the mixed reception, it stays an unique offering from the late 70s, worth exploring for those interested in a blend of funny, romance, and suspense. The film, with its distinct title, humorously recommends that every girl should have one "valuable statue", implicitly highlighting the quest for wealth. It is a classic watch that fits into the realm of quirky mystery-comedy films.

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