Fearful Symmetry (1998)

Fearful Symmetry Poster

A documentary about the making of "To Kill a Mockingbird."

Overview
"Fearful Symmetry" is a captivating historical documentary coupled with artistic interpretation, released in 1998 with the goal to offer a deep insight into the Pulitzer Prize-winning book, "Precious", by Toni Morrison. The film, directed by Louis Massiah and Daniel Anker, is set in the backdrop of the 19th century, encapsulating an extensive exploration of slavery, racial injustice, haunting past memories, and psychological turmoil through the viewpoint of Morrison's book.

Documentary Theme and Context
The documentary does not follow a conventional storytelling approach. Instead, it starts a parallel course where it weaves a powerful connection between the historic incidents of the 19th-century African-American society, affected heavily by slavery, and the imaginary world crafted by Morrison in "Beloved". The title "Fearful Symmetry" is derived from a poem by William Blake - "The Tyger", representing the challenging and painful reflections of a haunting past.

Style and Narrative
"Fearful Symmetry" follows a blended medium format, combining historic archives, interviews, dance, and creative representations to tell the complex account. The movie encapsulates a range of interviews, including Morrison's, supplying an earnest view of the results of slavery, and other core aspects that inspired her to pen down "Beloved". It likewise features chronicles about the African servant trade, emotional stories of apart households, anecdotes about escape paths, and accounts of harsh lives led by the African-American community. Adding to the narrative are some remarkable interpretive dance sequences choreographed by Garth Fagan, illustriously working as physical embodiments of styles tackled within the film and the book.

Significance and Impact
Among the striking aspects of "Fearful Symmetry" is how it uses the "Beloved" novel as a prism to clarify the painful reality of slavery, racial inequality, and their haunting memories. It makes the audience consider the question: how does a dreadful event influence the cultural, social, and individual consciousness of a generation, much less several?

Linked with effective images and narratives, the movie does not shy away from illustrating the raw and brutal reality that was withstood by the slaves. It substantially adds to the discussion about historical reparation for slavery and the impact of racially motivated atrocities on the mental health of the African-American neighborhood.

Artistic Interpretation and Conclusion
"Fearful Symmetry" is much more than a documentary or a historic representation of an unpleasant period. It is a creative and intellectual analysis of a masterpiece book, amalgamating history and fiction to promote thought and discussion about racial inequality and historic trauma. It mixes the previous and present, fiction and reality, to narrate a story of shared memory, injustice, survival, and origins, making it a vital watching thinking about today status of racial problems worldwide.

In conclusion, "Fearful Symmetry" breaks traditional documentary borders by providing a holistic understanding and interpretation of Morrison's "Beloved". It reframes the understanding of slavery while providing a deep cultural understanding of African-American history and its enduring impacts. The movie's method serves to invite continuous discourse on these important issues, emphasizing the significance and necessity of such dialogues for social development and healing.

Top Cast

  • Horton Foote (small)
    Horton Foote
    Self
  • Robert Mulligan (small)
    Robert Mulligan
    Self
  • Alan J. Pakula (small)
    Alan J. Pakula
    Self
  • Gregory Peck (small)
    Gregory Peck
    Self
  • Phillip Alford (small)
    Phillip Alford
    Self
  • Mary Badham (small)
    Mary Badham
    Self
  • Elmer Bernstein (small)
    Elmer Bernstein
    Self
  • Collin Wilcox Paxton (small)
    Collin Wilcox Paxton
    Self
  • Brock Peters (small)
    Brock Peters
    Self
  • Robert Duvall (small)
    Robert Duvall
    Self