Get Rid of Yourself (2003)

Get Rid of Yourself Poster

Get Rid of Yourself is a video-film-tract addressed to those who anonymously embody the return of political activism within Empire. While its initial sounds and images were filmed during the riots in Genoa, 2001, these materials are pulled apart and recomposed in order to locate the intensity of a shared experience, rather than producing one more documentary version of the programmed and hyper-mediatized confrontation of the G8 counter-summit. Elaborating a complex and rhythmic form of address via sound/image disjunctions, cheap video effects and performance, the film declares its own exile from a biopolitical space-time where nothing ever happens. The crisis it announces is the sudden return of history, but this time without characters or a story, and of a politics without subjects.

Film Overview
"Get Rid of Yourself" is a speculative and provocative movie directed by Bernadette Corporation. It was released in 2003 and focuses on the journeys of 3 interconnected groups: the Black Bloc (an anarchic group of anti-globalist protesters), the starlet Chloe Sevigny, and the band Le Tigre. The movie is a confrontational exploration of politics, identity, and resistance.

Political Activism and Identity
"Get Rid of Yourself" starts with a concentrate on the political and sociocultural movement of the Black Bloc during the G8 top kept in Genoa, 2001. The Black Bloc is depicted as an uncompromising force, featured rioting, encountering the authorities, and voicing their dissent versus international capital and dominating political structures. Not merely a presentation of anarchy, the movie offers a platform to these activists for a candid expression of their belief system, painting a raw and intense picture of this defiant group's unyielding stance on anti-globalization.

Crossway of Real and Fictional Worlds
In an unorthodox twist, the movie moves from the politically charged streets of Genoa to the relatively peaceful existence of starlet Chloe Sevigny. Unlike conventional cinematic experiences, "Get Rid of Yourself" blurs the boundary in between script and reality by featuring Sevigny as herself. She performs off-kilter monologues and display screens untreated feelings in an apparently self-reflective representation that does not compare her real-life personality and her on-screen character.

Music and Political Aesthetics
Le Tigre, the feminist post-punk band, is the third part that adds to the movie's vibrant exploration of identity and resistance. The band weaves its musical impact through the narrative, serving as a background for the movie's political discourse and more improving the subversive tone. Their existence seems to question the commodification of art and its relation to political truths reflected in the band's positioning with a cause-oriented story.

Message and Reception
"Get Rid of Yourself" is a thought-provoking documentary-style movie, interspersed with moments of plain truth, theatrics, and derisive humor. However, it's not an easy expect those accustomed to traditional plotlines and narratives. The movie forwards an uncompromising critique of capitalist modernity through the lens of political advocacy, star culture, and the commodification of art. Fundamental to this is the concept of "eliminating oneself", which can be interpreted as a call to self-awareness, self-reflection, and ultimately, the sacrifice of specific convenience for cumulative resistance.

Though the film received mixed reviews and was not extensively known in mainstream movie theater, it resonated with viewers who valued its unconventional approach and extreme political commentary. "Get Rid of Yourself" remains a considerable work of art, explained by the New York Times as an "unclassifiable fiction/documentary hybrid", and it continues to motivate conversation and argument within the realms of art and politics.

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