Kill the Man (1999)

Kill the Man Poster

The two owners of the Long Shot Copies shop struggle against a copying giant, King Co. Having gotten their start from a $100,000 windfall when one of them hit a promotional mid-court basketball shot, they have to find a way to keep their company afloat or fold. Thus starts a series of gimmicks and a war against the opposition, particularly after they are visited by a corporate thug.

Movie Introduction
"Kill the Man" is an American indie comedy movie that premiered at the Sundance Movie Celebration in 1999. Directed by Tom Booker and John Kean, the film features an ensemble cast headed by Luke Wilson and Joshua Malina as the lead characters Stanley Simon and Bob Stein, respectively.

Plot Summary
The main plot of "Kill the Man" focuses on the funny battle in between 2 small businesses located opposite each other on the very same street. The primary characters, Stanley and Bob, run a not successful printing shop, called The Utopia Foundation, that uses one distinct product - a two-headed interlinking "Ying-Yang" duck pen. Directly opposite them is an ultra-successful photocopying giant, Stubblefield's.

Stubblefield's is operated by the eccentric Leland Stanford Stubblefield, played by Phillip Baker Hall, who constantly wears white and uses verbal intimidation to ensure his service remains primary. The competitors between the two companies plays out with some entertaining tricks and sabotage attempts from both sides.

Characterization and Conflict
Stanley and Bob, despite doing not have service acumen, are represented as good-hearted characters who take stands versus mega-corporate entities trying to monopolize the industry. They believe in their "Ying-Yang" duck pen, typically defending it as the "next pet rock", and continually aim to make their company successful.

On the other hand, the character of Leland Stubblefield represents the stereotyped corporate villain, exemplifying unscrupulous business practices, greed, and an insatiable thirst for power. Stubblefield's increase to power is through inheritance, which results in an inflated ego and an overconfidence in his operational approaches.

The conflict between these services prospers on the timeless narrative of the underdog versus the powerful villain. As the story progresses, Stanley and Bob find themselves progressively targeted by Stubblefield's ill-intentioned strategies to shut their business down.

Conclusion and Moral of the Film
As the film reaches its climax, Stanley and Bob manage to outwit Stubblefield and save their store. They win a $5 million settlement in court after Stubblefield is shamed into an embarrassing public outburst that yields to their charges of harassment, defamation, and sabotage. The movie ends on an uplifting note emphasizing the styles of perseverance, belief in one's own concepts, and the accomplishment of the underdog.

"Kill the Man" is a funny of the timeless custom of humor born from hardship. It reviews the dynamic of small businesses challenging larger corporations, and the survival of entities facing giant challengers. In spite of the inherent goofiness and absurdity of the property, the film resonates with audiences due to the meaningful undercurrents about withstanding oppressive power.

In conclusion, "Kill the Man" showcases the enthusiasm of two young entrepreneurs and their strength in the face of an organization behemoth. It provides a light-hearted look at the power of decision, the strength of relationship, and the happiness of little victories in a world dominated by business giants. The movie is an amusing blend of comedy, wittiness, and thriller, setting out a fresh take on an age-old organization competition narrative. Despite its wacky and unusual style, it delivers a message of hope and resilience that makes it a beneficial watch.

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