Rendez-vous (1985)

Rendez-vous Poster

Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.

Film Overview
"Rendez-vous" is a French dramatic movie launched in 1985, directed by Andre Techine, and starring Juliette Binoche, Lambert Wilson, Wadeck Stanczak, and Jean-Louis Trintignant. The plot revolves around a young woman who undergoes different experiences that affect her love life and acting career, inducing her transformation. The film is a mix of love, drama, and components of psychological complexity that underlie every character's arc, portraying the scene of the theatre.

Plot Summary
Juliette Binoche deputed her role in this movie as Nina, a provincial girl who embarks on a journey to Paris, dreaming of ending up being a starlet. After she reacts to an ad from Paulot (Wadeck Stanczak), a real estate agent, she unwittingly becomes associated with an intricate web of relationships.

Nina moves into an apartment with Paulot, who quickly develops feelings for her, though he remains shy and unassertive. On the other hand, Nina is attracted to Paulot's odd and menacing flatmate, Quentin (Lambert Wilson), an emotionally unstable aspiring actor who end up taking his own life due to his volatile nature.

Character Development and Conflict
The abrupt suicide of Quentin takes a considerable toll on Nina, leading her to break away from Paulot and pursue her acting ambition ardently. She lands a leading role in Romeo and Juliet, directed by Scrutzler (Jean-Louis Trintignant), who ends up to have actually been the previous director and enthusiast of Quentin.

Her association with Scrutzler not only elevates her acting skills however likewise absorbs her into intensive emotional training, where she challenges her vulnerabilities, fears, and desires. The sexual stress stays widespread, but Scrutzler keeps a calculated range, handling Nina with unrequited rigor and frigidity.

Resolution
"Rendez-vous" culminates on an uncertain note. Nina, having grown in both her personal and professional life, begins to value Paulot's devotion toward her. Nevertheless, her decision to reciprocate the same love stays unsure.

In theater, Nina's performance is critical, mainly due to her tumultuous journey. Sadly, the change ends in Scrutzler's abrupt withdrawal from the play, leaving her perplexed and unprepared for the last act. However, Nina manages to improvise an awful denouement on-stage, leaving audiences in awe, representing her ultimate shift into a prodigal artist and a mature female.

Finally, though Paulot re-enters her life, the question of whether they have a romantic future together remains open.

Reception
"Rendez-vous" received a combined reception, with some applauding the movie's expedition of dark love and the intricacies of the human mind, and others slamming its ambiguous plotline and characters' advancement. Juliette Binoche's raw and extreme representation of Nina was widely lauded, making this film a milestone in her early career. The film also marked a significant entry in the filmography of Andre Techine, understood for movies that overturn standard genres and check out detailed human emotions.

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