Stop Calling Me Baby! (1977)

Stop Calling Me Baby! Poster
Original Title: Moi, fleur bleue

A man hires a P.I. to find a sexy woman he fell in love with. The woman lives with her underage teen sister who dreams about having sex for the first time, but wants a real man. That's when the P.I. shows up and stirs up the household.

Introduction
"Stop Calling Me Baby!" (initial title: "Arrête de m'appeler bébé!") is a French comedy film launched in 1977, directed by Christine Van de Putte. The film stars Christine Murillo, Dominique Laffin, and Juliet Berto. An enjoyable and spirited movie, "Stop Calling Me Baby!" sheds light on the themes of feminism, sexuality, female empowerment, and relationship. The movie humorously explores the lives of ladies from 2 various social classes, joined by a typical objective of self-discovery and breaking free from confining social expectations.

Plot Overview
The film tells the story of Danielle, a young working-class female, who unintentionally winds up in a prison cell. While in custody, she satisfies Marie-Solange, an upper-class lady jailed for sex-related demonstrations. The 2 females find that they have a lot in common-- both are fed up with being dealt with as inferior by males and are figured out to combat for their rights and declare their independence.

Upon their release from jail, the two ladies choose to team up and form a special relationship that challenges societal standards and expectations. Together, they embark on a journey of self-discovery and liberation, abandoning their old roles as submissive "children" and welcoming their newly found freedom and identities.

Feminism and Friendship
"Stop Calling Me Baby!" is an easy going and empowering commentary on the females's liberation motion in 1970s France. The film highlights the battle faced by women, who are typically infantilized and relegated to subservient functions in both their individual and expert lives. Danielle and Marie-Solange contradict these restrictions and decide to assert themselves, in spite of the dangers associated with challenging the status quo.

Their relationship showcases the power of female solidarity and shared support as they navigate through different encounters with chauvinistic mindsets, sexism, and harassment. The movie highlights the significance of females uniting, sharing their experiences, and being in charge of their fates regardless of their social backgrounds or personal scenarios.

Sexuality and Liberation
"Stop Calling Me Baby!" deals with the theme of sexuality in an entertaining yet vibrant and upfront way. Danielle and Marie-Solange reclaim their bodies and sexual company, refusing to be treated as mere things of male satisfaction. This progressive and liberated method to sexuality aligns the movie with the feminist motion of the time.

As they release themselves from the overbearing expectations of conventional gender functions, the lead characters become symbols of women's power, desire, and autonomy. Their sexual encounters with various guys serve as comical and celebratory expeditions of breaking devoid of societal restraints and forging their individualities.

Style and Tone
Regardless of its severe styles, "Stop Calling Me Baby!" keeps a pleasant and upbeat tone throughout the movie, boosted by the comedic and lively performance of its lead actresses, Christine Murillo and Dominique Laffin. The amusing dialogues and amusing scenarios keep the audience engaged while providing a powerful message about the need for change and ladies's emancipation.

The film's lighthearted take on serious subjects enables it to deal with crucial issues in an available and entertaining way, making its message resonate with viewers from different backgrounds. With solid cinematography, vibrant visuals, and remarkable efficiencies, "Stop Calling Me Baby!" stays real to its period while injecting a sense of modernity and timelessness.

Conclusion
"Stop Calling Me Baby!" is a fun, strong, and empowering film that examines the lives of 2 females struggling to break free from societal norms and expectations in 1970s France. This feminist funny easily tackles styles of female empowerment, relationship, and free love, providing an amusing and appealing experience for viewers. Its easy going approach to severe subjects produces an accessible and satisfying movie that remains appropriate and thought-provoking today.

Top Cast

  • Jean Yanne (small)
    Jean Yanne
    Max
  • Jodie Foster (small)
    Jodie Foster
    Isabelle Tristan
  • Sydne Rome (small)
    Sydne Rome
    Sophie Tristan
  • Bernard Giraudeau (small)
    Bernard Giraudeau
    Isidore
  • Claude Gensac (small)
    Claude Gensac
    School headmaster
  • Marthe Villalonga (small)
    Marthe Villalonga
    Mme. Passemard
  • Lila Kedrova (small)
    Lila Kedrova
    Countess de Tocqueville
  • Odette Laure (small)
    Odette Laure
    Olga the janitor
  • Daniel Russo (small)
    Daniel Russo
    Commercials director
  • Robert Rollis (small)
    Robert Rollis
    The neighbor
  • Laurence Masliah (small)
    Laurence Masliah
    Schoolgirl