The Curve of Forgotten Things (2011)

Introduction
The Curve of Forgotten Things is a 2011 American experimental brief film directed by David Altobelli and produced by Marie Vanhelst. The movie features actress Elle Fanning as a strange girl who has the power to restore forgotten objects, motivated by the idea of memory and the way memories are triggered. The film is a surreal and aesthetically sensational piece that blurs the line in between truth and fantasy.

Plot Synopsis
The Curve of Forgotten Things begins with the main character, played by Elle Fanning, coming to a deserted estate. The girl wanders through the residential or commercial property and begins to connect with numerous items scattered throughout. As she touches each item, a luminous aura envelopes the things, relatively bringing it back to life in addition to the memories associated with that item. These objects include old pictures, classic gowns, fashion jewelry, and different pieces of furniture.

The audience is then handled a journey through time as we see each things's history come to life through a series of ethereal and dream-like sequences. These sequences check out themes of love, loss, memory, and the passage of time. Throughout the movie, the girl encounters numerous characters who have personal connections to the objects she restores.

In one sequence, the girl interacts with a picture of a young boy sitting on a bike. As she touches the image, the boy comes to life and is soon revealed to be the spirit of a boy who passed away in an awful mishap. The boy and the woman share a tender moment of connection before he eventually fades back into the photograph.

In another scene, the girl uses a vintage dress and is carried back in time to a 1960s-era ballroom dance. Here she encounters a female who acknowledges the gown as her own and reminisces on her own memories of the time spent at dances and celebrations.

Throughout the film, the girl continues to uncover the stories behind each object she comes across. As she continues to explore the deserted estate, she appears to acquire a sense of understanding and acceptance of the lives and experiences that have actually come before her.

Themes and Symbols
The Curve of Forgotten Things is abundant with significance and explores styles of memory, the passage of time, and the power of human connection. The young girl's power to bring objects back to life not only signifies the resilience of memory however also the idea of rejuvenation and regeneration.

The movie's title refers to the method memories relatively get buried in the recesses of our minds, only to resurface suddenly when activated by a sight, noise, or object that stirs the senses. The girl's wonderful ability to restore these forgotten memories and experiences stresses the idea that the past is never really forgotten, however rather lies dormant within us, waiting to be awakened as soon as again.

Furthermore, the movie emphasizes the universal nature of human experiences such as love, loss, and the passage of time. The girl serves as a conduit for these memories, permitting her to feel sorry for the characters she comes across and, by extension, humanize the things themselves.

Visual and Aesthetic Elements
The Curve of Forgotten Things is an experimental and aesthetically stunning piece that features little dialogue, relying rather on expressive images and artful cinematography to create an immersive and dream-like experience for the audience. Director David Altobelli utilizes a range of striking visual strategies, such as slow-motion, soft focus, and color manipulation to produce a mystical environment and to tell the story through vibrant, emotive images.

Conclusion
The Curve of Forgotten Things is an impressive and fascinating brief movie that uses an unique exploration of memory, human connection, and the passage of time. Its expressive and dream-like atmosphere encapsulates the audience, provokes thought, and advises us that though objects and memories may be forgotten, they are never ever truly lost.

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