The Stranger (1920)

A stranger rides into a little town on his white horse, where he finds plenty of excitement and a love affair awaiting him.

Introduction
"The Stranger" is a quiet movie released in the year 1920. This American cowboy drama is directed by Lambert Hillyer and produced by Arrow Film Corporation including William S. Hart as Blase Eastern, Patricia Palmer as Polly, and Charles Arling as Martin Gilmore amongst the primary cast. The film is a poignant story of love, redemption, and vengeance, embeded in the enthralling western lands.

Plot Overview
Blase Eastern, represented by William S. Hart, is a solidified lawbreaker en route to jail. His journey is interrupted when the jail wagon he is taking a trip in gets assaulted, enabling him to escape. He seeks haven in a remote town, Doe River, and under the pseudonym of Jim Smith, attempts to earn a living by herding cattle.

In Doe River, he encounters Polly (Patricia Palmer) and Martin Gilmore (Charles Arling). Polly is a warm and welcoming soul managing her own ranches after the demise of her father. In contrast, Martin is a ridden bank of the town with a shrewd and manipulative character.

Love and Redemption
As he spends more time in Doe River, Blase Eastern starts to value the simpleness and honor in hard work and living a sincere life. He develops strong feelings for Polly, who reciprocates his affections. Their relationship represents a turning point in the narrative and in Blase's improvement from a fugitive to a male seeking redemption. The moment Polly appears in his life, Blase's devil-may-care personality softens, which is depicted magnificently in their on-screen chemistry.

Conflict and Reveal
Simply as we see Blase inching towards his redemption, get in Martin Gilmore, who harbors his own desires for Polly and jealousy for Blase. Martin finds Blase's true identity and uses it to his benefit, blackmailing Blase into helping him commit a bank burglary.

Despite his dilemma, Blase refuses to wander off from his newly found course of righteousness and involves the sheriff in a calculated danger to outsmart Martin. The conflict exposes Martin as the real bad guy and Blase as the bold hero who conserves the town and, more importantly, Polly's honor and trust.

Conclusion
"The Stranger" from 1920 is a riveting tale of criminal activity, transformation, love, and redemption embodying the timeless western drama. Its characterization is a classic display of good vs. wicked dichotomy, where the initially perceived bad guy ends up being the hero.

Through the character of Blase Easter, the film wonderfully checks out multiple human emotions, a man's struggle for redemption, and the power of love to bring about transformation. Throw in the fascinating story and an effective climax; you get a melodrama that keeps you hooked till the very end.

This silent movie brilliantly utilizes imagery and physical acting prowess of cast members to tell its story, as was characteristic of the period. Mixing aspects of romance, criminal activity, and western tropes, "The Stranger" holds a pivotal place in the world of quiet movie theater and offers a wonderful journey down the memory lane into the wild, wild west.

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