The Wannabe (2015)

The Wannabe Poster

Based on true events, The Wannabe, a story about Thomas, a man obsessed with Mafia culture during the 1990s in New York City. When Thomas’s failed attempts to fix the trial of infamous mobster John Gotti gets him rejected by the people he idolizes most, he sets off on a drug infused crime spree with his girlfriend and longtime mob groupie, Rose, by brazenly robbing the local Mafia hangouts.

Introduction
"The Wannabe", a 2015 independent crime drama directed by Nick Sandow and starring Vincent Piazza and Patricia Arquette, digs into the grit of New York's crime scene in the early 1990s. The movie, which blends true events and fiction, portrays the obsessive fascination with the Mafia way of life and the lengths to which some are willing to go to belong of it. With Martin Scorsese as an executive producer, the movie provides a fascinating character study set versus the background of John Gotti's trial.

Plot Overview
The story centers on Thomas, played by Vincent Piazza, a Mafia-obsessed man with grand aspirations but little to show for them. Thomas lives in a dreamworld, admiring the mob figures and desperately wanting to be a part of the powerful and infamous Gambino criminal activity family. His rather rosy view of mob life stands in stark contrast to the harsh realities of the criminal world.

As the story unfolds, audiences meet Rose, played by Patricia Arquette, who becomes Thomas's love interest. Rose is an area woman with her own set of problems, but she becomes entranced by Thomas's enthusiasm and strength. Together, they form an extreme, if somewhat inefficient, bond over their shared desire to belong and to rise above their present ordinary and unfulfilling lives.

Thomas's ultimate plan is to win the Mafia's favor by damaging the jury in the trial of John Gotti, likewise known as "The Teflon Don". His fanciful concept is that by assisting Gotti beat his case, he would earn a place within the Gambino household. The trial is a media phenomenon, with much of New York's attention fixated on its outcome, and Thomas thinks he can make an impact.

Advancement of Characters
As the story progresses, the depth of Thomas's delusion becomes apparent. He is neither a hardened criminal nor a smart manipulator however a wannabe living in a dream. Vincent Piazza brings Thomas to life, effectively depicting the character's unhinged devotion to a glorified vision of mob life. Meanwhile, Patricia Arquette's performance as Rose reveals a lady caught between truth and the attraction of Thomas's self-confidence and strategies, encouraging yet evidently aware of the futility of their scenario.

Their relationship is complex and ruined by their respective defects and the imbalanced characteristics of a shared dependency on each other's dreams and worries. Their bond is checked as they dive deeper into the criminal world, their dream starting to collapse as they face the consequences of their actions.

Thematic Elements
"The Wannabe" discuss styles of identity, belonging, and the damaging appeal of power. It shows the lengths to which people will go to create a sense of significance in a world that has mainly ignored or dismissed them. The movie likewise reflects on the twisted attraction of the Mafia, with Thomas's fascination working as a metaphor for the larger cultural fascination with organized crime figures.

Visual and Auditory Style
Sandow's direction provides a gritty and climatic portrayal of New York City along with a fitting soundtrack that catches the essence of the age. The movie's visual matches the story's tone, soaked in the grim and frequently disappointing truth that lies below the attractive guise of mob life.

Conclusion
In general, "The Wannabe" is a compelling assessment of lost adoration and the pursuit of an alluring however harmful dream. It provides an interesting story backed by strong performances, especially from its leads, Piazza and Arquette, who provide nuanced portrayals soaked in desperation and desire. The movie functions as a cautionary tale of idolization gone too far and the hollow emptiness behind the drape of criminal offense glorification.

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