They All Laughed (1981)

They All Laughed Poster

New York's Odyssey Detective Agency is hired by two different clients to follow two women suspected of infidelity. Ladies' man John Russo trails Angela Niotes, the elegant wife of a wealthy Italian industrialist, while Charles Rutledge and Arthur Brodsky follow Dolores Martin, the beautiful young wife of a jealous husband. Their respective cases are complicated when John falls for Angela, and Charles falls for Dolores.

Film Overview
"They All Laughed" is a screwball romantic comedy film directed by Peter Bogdanovich and released in 1981. The ensemble cast consists of notable figures like Audrey Hepburn, Ben Gazzara, John Ritter, and Dorothy Stratten. The movie is a trendy mix of love and mystery set in New York City, providing a distinct narrative through the eyes of private investigators and the women they're trailing.

Plot Summary
The movie explores the lives of three private detectives who are employed to tail females believed of extramarital relations. What begins as an expert job for John Russo (Ben Gazzara), Charles Rutledge (John Ritter), and Arthur Brodsky (Blaine Novak) takes a challenging turn as they end up being romantically entangled with their subjects.

Russo succumbs to Angela Niotes (Audrey Hepburn), the affluent partner of a Wall Street magnate he is tailing. The set share a sweet, understated love versus the backdrop of the city. Meanwhile, Rutledge ends up being brought in to the young and lively Dolores Martin (Dorothy Stratten), having a hard time to balance his individual feelings as he observes her promiscuous lifestyle. Brodsky tails a third woman, only to find her cheating with a nation singer.

Character Development and Interactions
The complex narrative structure and character development in "They All Laughed" is greatly reliant on the interactions between the investigators and the females they are following. The investigators come to grips with their own moral and psychological issues as they establish sensations for the women, complicating their professional obligations.

The performances are remarkably tuned, with Hepburn providing a display screen of vulnerability and charm, Gazzara embodying the hardboiled detective with a soft core, and Ritter catching the awkwardness and inflammation of his character. Stratten, in her last motion picture role before her tragic death, brings a light-hearted and lively performance.

Setting and Style
New york city City works as a crucial character itself in "They All Laughed", including a layer of character, depth, and experience to the narrative. The city's bustling energy, sprawling landscapes, lively streets, and towering structures underline the characters' emotional journeys. The film utilizes a documentary-like style of on-site shooting that focuses on catching the honest everyday life of its characters.

The total design of the film greatly leans towards screwball comedies of the 1930s and 1940s, filled with comic minutes, romantic entanglements, and mix-ups. The men are kind-hearted while the females possess a feisty, free-spirited streak. The discussion is snappy, the comical timing flawless, and it's all backed by a jazzy, rhythm-and-blues soundtrack.

Crucial Reception
Upon its release, "They All Laughed" didn't make a strong impression at package office, its production being eclipsed by the awful murder of its leading woman, Dorothy Stratten. Throughout the years, the movie has actually gained a following and is considered a cult classic. Critics applauded it for its off-beat and sweetly melancholic story that wanders off from mainstream cinematic themes, using an idiosyncratic mix of love, funny, and movie noir elements.

Conclusion
"They All Laughed" serves as a nostalgic homage to timeless screwball funnies and to New York City, unraveled through the poetic lens of Peter Bogdanovich. It's a quirky tale of romance and morality that stands the test of time due to its distinct narrative structure, excellent performances, and superb mixing of funny, love, and mystery. Regardless of its initial failure, it stays a cult traditional and a testimony to the creative spirit of independent filmmaking.

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