What's the World Coming To? (1926)

Short comedy which posits that in a hundred years men's styles will revert to Regency garb, and that there will be a complete gender role reversal, with husband Clyde Cook staying home alone while wife Katherine Grant goes tomcatting around town.

Film Introduction
"What's The World Coming To?" is a 1926 American comical silent film directed by Richard Wallace and co-directed by Clyde Bruckman. The film was composed by William Goodrich, a pseudonym for Roscoe 'Fatty' Arbuckle, and is a creative farcical satire on gender reversal in a futuristic society.

Plot and Scenario
In 2026, a world where gender functions are unfortunately reversed, guys are daintily dressed and invest their time on family tasks, while ladies use up positions of power and authority, put on in trousers and monocles. In this setting, the Macho Police force-- comprised completely of athletic, authoritative females-- is charged with preserving order.

The movie's story centers around Calem, a male bride-to-be hopeful, depicted by star Clyde Cook. Calem is supposed to marry Honeymoon Ginsberg, the Macho Police chief's daughter. However, he falls for an audacious 'flapper' and chases her all through the country. This oddball love triangle leads to many comedic circumstances involving goes after, misconceptions, and some slapstick humor characteristic of the 1920s cinema.

Main Characters And Performances
Clyde Cook delivers a wonderful performance as he records the effeminate physical and singing qualities credited to guys in the motion picture without losing his Australian accent. Katherine Grant starred as Ginsberg's daughter and the setback bride, while Pauline Starke represents the audacious girl who captivates and runs off with Calem.

Artistic Style And Direction
"What's The World Coming To?" utilizes a humorous and unique way to spoof society's gender functions. The gender-swap dystopia it represents satirizes social conventions and standards. The film's overstated depiction is specifically vibrant offered the time when it was made, as it showcased females in reliable and dominant roles, which was extremely unusual for the period.

Wallace and Bruckman's instructions, coupled with Goodrich's storytelling, raises the presentation of the movie, keeping audiences captivated with an excellent mix of visionary satire and visual humor. The action sequences are especially well-staged and contribute to the movie's total appeal.

Cinematography And Other Aspects
The movie's cinematography effectively records the societal inversion it represents with subtlety, utilizing visual hints and color pattern to hint at the gender-role turnaround. The movie's black and white quiet format enables the funny physical funny to take spotlight. The closet options and set designs are innovative, as they stay up to date with the movie's style.

Conclusion And Legacy
"What's The World Coming To?" is an interesting research study of gender role reassignment and spoofs the anxiety of moving social norms of the era. In its time, it was well-received and reputed for its humorous take on society and gender swaps, effectively engaging the audiences to question social norms.

Regardless of being made almost a century earlier, the film remains appropriate and amusing today, adding a historical point of view to the constant discourse on gender equality and stereotypes. Its vibrant take on social norms and the courage to question them through funny makes it an unforgettable quiet movie classic.

Top Cast

  • Clyde Cook (small)
    Clyde Cook
    Claudia, the Blushing Groom / the baby
  • Katherine Grant (small)
    Katherine Grant
    Billie, the Bride
  • James Finlayson (small)
    James Finlayson
    The Father-in-Law
  • Helen Gilmore (small)
    Helen Gilmore
    A Neighbor
  • Martha Sleeper (small)
    Martha Sleeper
    The Butler
  • Laura De Cardi
    A Family Friend
  • Stan Laurel (small)
    Stan Laurel
    The Man in the Window