Jason Patric Biography Quotes 25 Report mistakes

Early Life and Family Background
Jason Patric was born Jason Patric Miller Jr. on June 17, 1966, in Queens, New York. He grew up immersed in show business and storytelling. His father, Jason Miller, was a Pulitzer Prize- and Tony-winning playwright for That Championship Season and an acclaimed actor best known on screen as Father Damien Karras in The Exorcist. His mother, Linda Gleason, is the daughter of legendary comedian and actor Jackie Gleason, star of The Honeymooners. With a family tree that bridged theater, film, and television, Patric absorbed the craft early and chose to adopt his middle name as his professional surname. He also has a half-brother, actor and writer Joshua John Miller, further tying him to a creative household that valued performance and narrative.

Breakthrough and the 1980s
Patric entered films in the mid-1980s and quickly found leading roles. He first attracted attention in Solarbabies (1986), a youth-oriented adventure backed by Brooksfilms. He then gave an early display of his ability to carry a film in The Beast (1988), a war drama directed by Kevin Reynolds about a Soviet tank crew stranded in Afghanistan, acting opposite George Dzundza and Stephen Baldwin. His breakout with wider audiences came with The Lost Boys (1987), Joel Schumacher's stylish vampire tale. Playing the older brother drawn into a seaside town's supernatural undercurrent, he anchored a cast that included Kiefer Sutherland, Corey Haim, Corey Feldman, Jami Gertz, and Dianne Wiest. The film's success made him a public figure and offered the path of teen idol, but he began to establish a reputation for resisting easy categorization.

1990s: Intense Dramas and Selective Choices
Patric turned toward character-driven work. In After Dark, My Sweet (1990), directed by James Foley and co-starring Rachel Ward and Bruce Dern, he delivered one of his earliest critically praised performances, inhabiting the story's noir moral ambiguities. He followed with Rush (1991), directed by Lili Fini Zanuck, opposite Jennifer Jason Leigh; the film's focus on addiction and undercover policing suited his preference for psychologically fraught material. He portrayed a cavalry officer in Walter Hill's Geronimo: An American Legend (1993), acting alongside Gene Hackman, Robert Duvall, Wes Studi, and Matt Damon, and he appeared in Barry Levinson's ensemble drama Sleepers (1996) with Robert De Niro, Dustin Hoffman, Kevin Bacon, and Brad Pitt.

He also took one of his most visible studio leads in Speed 2: Cruise Control (1997), replacing Keanu Reeves as the action franchise's male lead opposite Sandra Bullock. The film drew mixed reactions, but it confirmed Patric's durability in both commercial and independent spaces. He concluded the decade with Your Friends & Neighbors (1998), Neil LaBute's acerbic ensemble study of desire and betrayal, sharing the screen with Ben Stiller, Catherine Keener, Aaron Eckhart, Amy Brenneman, and Nastassja Kinski.

Patric's private life occasionally intersected with his public image, notably when his relationship with Julia Roberts drew attention in the early 1990s, a moment complicated by his prior collaboration and friendship with Kiefer Sutherland from The Lost Boys. Throughout, he kept a low profile, letting roles rather than publicity shape his career.

2000s: Craft, Character Work, and Stage
In the 2000s Patric consolidated his identity as an actor drawn to moral complexity. Joe Carnahan's Narc (2002) cast him as Detective Nick Tellis, paired with Ray Liotta. Patric's taut, haunted performance earned significant critical praise and is often cited as one of his finest. He appeared in The Alamo (2004) as frontier legend James Bowie, working with Billy Bob Thornton and Dennis Quaid, and later in My Sister's Keeper (2009) as a father confronting a family crisis, acting with Cameron Diaz, Abigail Breslin, and Alec Baldwin.

Parallel to screen work, he built a meaningful stage career. In 2005 he starred on Broadway as Brick in Tennessee Williams's Cat on a Hot Tin Roof opposite Ashley Judd and Ned Beatty, demonstrating the physical stillness and suppressed volatility that critics had admired in his film roles. In 2011 he returned to Broadway for a revival of That Championship Season, joining Kiefer Sutherland, Chris Noth, Jim Gaffigan, and Brian Cox in the Pulitzer-winning play written by his father, Jason Miller. The production gave Patric a rare chance to honor and extend a family legacy at the center of American theater.

2010s and Television
Patric continued to alternate between studio projects and smaller dramas. He played the arch, enigmatic antagonist Max in the comic-book adaptation The Losers (2010), sparring with Jeffrey Dean Morgan, Zoe Saldana, Chris Evans, and Idris Elba. In The Prince (2014), he led an action thriller opposite Bruce Willis and John Cusack. He then headlined the second season of the television series Wayward Pines (2016) as Dr. Theo Yedlin, bringing his brooding intensity to a serialized, high-concept setting. The move to television underscored his adaptability and his interest in character-driven genre storytelling.

Personal Life and Advocacy
Beyond the set, Patric has guarded his privacy yet became an advocate when personal circumstances compelled it. He and Danielle Schreiber had a son, Gus, and a protracted legal dispute in California over parental rights followed. The case, which involved questions about whether a known sperm donor could be recognized as a legal parent when there was an ongoing relationship with the mother, helped spur public discussion and legislative attention in the state. After key appellate rulings permitted him to seek recognition, subsequent proceedings established his legal status as a father. He founded Stand Up For Gus, an organization focused on raising awareness and support for children and parents affected by custody conflicts and parental alienation, and he used his public platform to discuss the emotional and legal complexities families face.

Artistry and Legacy
Jason Patric has forged a career marked by deliberation rather than ubiquity. He became known for a watchful, coiled screen presence, often playing men navigating moral gray zones. While he has worked with major studios and in prominent franchises, his most resonant performances tend to be in character studies and ensembles led by directors such as Joel Schumacher, Barry Levinson, Joe Carnahan, James Foley, Lili Fini Zanuck, Walter Hill, and Neil LaBute. The gravitational pull of family history, through his father, Jason Miller, and his grandfather, Jackie Gleason, never defined him so much as it set a standard for commitment to craft. In film, on stage, and on television, Patric has remained an actor who favors choice over momentum, privacy over spectacle, and the demands of character over the conveniences of celebrity.

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