Andy Summers Biography Quotes 29 Report mistakes
| 29 Quotes | |
| Occup. | Musician |
| From | England |
| Born | December 31, 1942 Poulton-le-Fylde, Lancashire, England |
| Age | 83 years |
Andrew James Summers was born on December 31, 1942, in Poulton-le-Fylde, Lancashire, England, and grew up in Bournemouth on the south coast. Drawn to the guitar in his early teens, he soaked up American jazz, blues, and the emerging British rock sound, developing a precise touch and an ear for unconventional harmony. By his late teens he was a fixture of the local club circuit, already displaying the clean, singing tone and chord colorings that would later become his signature.
London Scene and Psychedelic Years
Summers moved to London in the 1960s and quickly found work in the thriving R&B and psychedelic scenes. He joined Zoot Money in the Big Roll Band, a popular live act that later morphed into the more experimental Dantalian's Chariot. In 1968 he toured the United States with Eric Burdon and the Animals, gaining firsthand experience on major stages during a tumultuous, creatively explosive period. After that run, he spent time in California studying classical guitar and composition, broadening his technique and sensibility before returning to the U.K. as an in-demand session and touring player.
Forming The Police
In 1977 Summers crossed paths with drummer Stewart Copeland and bassist-singer Sting, who had just launched a new band, The Police. Initially the group also included guitarist Henry Padovani, but Summers soon became the sole guitarist, helping focus the trio into a tight, rhythmically adventurous unit. Managed by Miles Copeland, the band fused punk energy with reggae, pop, and art-rock, and began recording with producer Nigel Gray. Through relentless touring and sharp singles such as Roxanne and Message in a Bottle, The Police rose quickly from gritty clubs to international stages.
Breakthrough and Peak Years
Summers proved essential to The Police sound. His bright, chorus-laden guitar lines left space for Sting's bass and voice while interlocking with Stewart Copeland's kinetic drumming. On Reggatta de Blanc and Zenyatta Mondatta he contributed both texture and composition, earning a Grammy for the instrumental Behind My Camel. With producer Hugh Padgham on Ghost in the Machine and Synchronicity, the band refined a sleek, modern sound; Summers's hypnotic arpeggios on Every Breath You Take became one of rock's most recognizable guitar figures. The intense creative chemistry among Summers, Sting, and Copeland also brought friction, and after the triumphant Synchronicity tour the trio stepped away from recording together.
Solo Work and Collaborations
Freed from the demands of a chart-dominating band, Summers pursued projects that reflected his eclectic taste. He recorded instrumental albums that drew on jazz, ambient, and world music, including XYZ, Mysterious Barricades, The Golden Wire, and Charming Snakes. A notable partnership with Robert Fripp yielded the albums I Advance Masked and Bewitched, explorations in layered guitars and minimalist textures. Summers also ventured into film and television scoring, bringing his atmospheric sensibility to screen projects such as Weekend at Bernie's. Decades later he continued to release adventurous work, including Metal Dog and Triboluminescence, and to tour in small ensembles that reimagined his catalog and The Police material.
Photography and Writing
Parallel to music, Summers built a serious career as a photographer. He began documenting life on the road during The Police years, gravitating toward candid, noir-inflected images. His photographs appeared in galleries and in books such as Throb and I'll Be Watching You: Inside The Police, 1980-83, offering an insider's view of the band's rise and the quiet spaces in between. His memoir, One Train Later, is a reflective account of his childhood, the London scene, the volatile ascent of The Police with Sting and Stewart Copeland, and the personal discipline behind his craft. The book later formed the basis of the documentary Can't Stand Losing You: Surviving The Police.
Reunion and Later Projects
In 2007 Summers reunited with Sting and Stewart Copeland for a global tour that celebrated the band's catalog and affirmed its enduring appeal. The trek, captured on the live release Certifiable, brought the trio's interplay back to arenas and festivals worldwide. In subsequent years Summers explored new collaborations, including the rock project Circa Zero with singer-guitarist Rob Giles, and he presented concert programs that reframed The Police repertoire through chamber-like arrangements and expanded guitar textures.
Style, Instruments, and Influence
Summers's guitar style is defined by clarity of tone, chromatic inner lines, and chord voicings that favor extensions, suspensions, and open strings. He favored clean amplification and chorus and delay for dimension, allowing rhythm and harmony to carry emotional weight without heavy distortion. This approach shaped The Police's spacious sound and influenced generations of guitarists across post-punk, new wave, and alternative rock. His parts often functioned like a second rhythm section and a lead instrument simultaneously, a balance that left room for Sting's melodies and Copeland's intricate percussion while adding harmonic surprise.
Recognition and Legacy
As a member of The Police, Summers entered the Rock and Roll Hall of Fame and shared in multiple major awards, while his own compositions and instrumentals earned critical distinction. Beyond trophies, his legacy rests in a body of work that connects disciplined craft to curiosity: psychedelic clubs with Zoot Money and Eric Burdon, precise studio construction with Nigel Gray and Hugh Padgham, high-wire trio interplay with Sting and Stewart Copeland, and the contemplative worlds of his solo records and photographs. Across decades he has remained a restless artist, translating the same sensibility from six strings to the camera lens and back again, and leaving a clear imprint on the sound and aesthetics of late 20th-century popular music.
Our collection contains 29 quotes who is written by Andy, under the main topics: Music - Art - Moving On - Technology - Career.
Other people realated to Andy: Sting (Musician), Jerry Moss (Businessman)