Bob Dylan Biography Quotes 46 Report mistakes
| 46 Quotes | |
| Born as | Robert Allen Zimmerman |
| Occup. | Musician |
| From | USA |
| Spouse | Carolyn Dennis (1986–1992) |
| Born | May 24, 1941 Duluth, Minnesota, USA |
| Age | 84 years |
Robert Allen Zimmerman was born on May 24, 1941, in Duluth, Minnesota, and grew up in the mining town of Hibbing on the state's Iron Range. Raised in a Jewish family by Abe and Beatty Zimmerman, he absorbed a wide array of American music from an early age, country, blues, gospel, and early rock 'n' roll, alongside radio dramas and the literature of the Beat Generation. In high school he played piano and guitar in a series of bands, covering Little Richard, Elvis Presley, and Chuck Berry. After briefly attending the University of Minnesota in Minneapolis in 1959, he gravitated to the coffeehouse scene in Dinkytown, began performing as "Bob Dylan", and developed a deep reverence for folk music and for Woody Guthrie in particular.
Greenwich Village and Breakthrough
Dylan moved to New York City in early 1961, visiting the ailing Guthrie and performing in Greenwich Village's burgeoning folk scene at venues such as Gerde's Folk City and the Gaslight. Signed by Columbia Records producer John Hammond, whose faith in the young songwriter earned the nickname "Hammond's Folly" within the label, Dylan released his self‑titled debut in 1962. Though mostly traditional material, it introduced his harmonica-guitar voice and included "Song to Woody". His second album, The Freewheelin' Bob Dylan (1963), written largely in the Village amid a circle that included Suze Rotolo (his then-partner), Joan Baez, and manager Albert Grossman, vaulted him to prominence with songs like "Blowin' in the Wind" and "A Hard Rain's a‑Gonna Fall". The Times They Are a‑Changin' (1964) cemented his role as a central voice of the folk revival and the civil rights era.
Electric Revolution
Restless and prolific, Dylan began moving beyond topical folk into surreal, Beat‑influenced rock. Bringing It All Back Home (1965) split acoustic and electric sides; Highway 61 Revisited (1965) delivered the groundbreaking single "Like a Rolling Stone". His amplified set at the Newport Folk Festival in July 1965 shocked parts of the folk establishment and signaled a new era. In 1966 he toured the world with the Hawks, later The Band, earning both rapturous admiration and backlash, including the famous "Judas!" heckle in Manchester. Blonde on Blonde (1966) capped this period with a kaleidoscopic double LP recorded largely in Nashville under producer Bob Johnston, aided by musicians such as Al Kooper and Mike Bloomfield.
Retreat, Woodstock, and Country Sound
After a July 1966 motorcycle accident near Woodstock, New York, Dylan withdrew from public life, focusing on family with his first wife, Sara Lownds, and their young children. Informal sessions with the Hawks in 1967 produced the storied Basement Tapes, while official releases pivoted to spare, roots‑based music: John Wesley Harding (1967) and the mellower Nashville Skyline (1969), featuring a duet with Johnny Cash. As the 1970s began, Self Portrait (1970) baffled critics; New Morning (1970) suggested renewed focus. Dylan parted with manager Albert Grossman, recalibrated his career, and gradually returned to the road.
1970s Resurgence and Rolling Thunder
Reuniting with The Band, he released Planet Waves (1974) and mounted a major tour captured on Before the Flood. Blood on the Tracks (1975), reworked with musicians in Minnesota by his brother David Zimmerman, became one of his most celebrated albums, noted for its emotional depth. Desire (1976), co‑written with theater director Jacques Levy and powered by violinist Scarlet Rivera, included the civil-rights narrative "Hurricane". In 1975, 76 Dylan led the Rolling Thunder Revue, an itinerant, freewheeling caravan with Joan Baez, T Bone Burnett, Allen Ginsberg, and others, blending concerts, cinema (Renaldo and Clara), and a communal artistic spirit.
Religious Turn and the 1980s
Following a period of personal and artistic upheaval, Dylan experienced a Christian conversion in the late 1970s. Slow Train Coming (1979), produced by Jerry Wexler with Mark Knopfler on guitar, won a Grammy for "Gotta Serve Somebody". Saved (1980) and Shot of Love (1981) continued his gospel‑driven phase, supported by fervent, sermon‑like concerts. He then shifted again: Infidels (1983), produced with Knopfler and anchored by Sly & Robbie, signaled a secular reorientation, while the mid‑1980s brought uneven releases but also the career‑spanning Biograph (1985) box. In 1988, Dylan co‑founded the Traveling Wilburys with George Harrison, Roy Orbison, Tom Petty, and Jeff Lynne, and launched the so‑called Never Ending Tour, performing relentlessly across subsequent decades.
Renewal and Collaborations
Oh Mercy (1989), produced by Daniel Lanois in New Orleans, reestablished Dylan's critical footing, followed by Under the Red Sky (1990) and a series of archival Bootleg Series releases that illuminated his creative process. Time Out of Mind (1997), again with Lanois, addressed mortality and reinvention and won the 1998 Grammy for Album of the Year after Dylan overcame a serious bout of histoplasmosis. He continued collaborating widely while increasingly producing his own albums under the pseudonym Jack Frost. His circle across the years included producers Tom Wilson and Bob Johnston; bandleaders and guitarists like Robbie Robertson, Mike Campbell, and Charlie Sexton; and artists he both influenced and worked alongside, from Johnny Cash to Emmylou Harris.
Twenty‑First Century Work and Honors
Dylan's late career has been remarkably fertile. "Things Have Changed", from the film Wonder Boys, won the Academy Award for Best Original Song in 2001. A run of acclaimed albums followed, "Love and Theft" (2001), Modern Times (2006), Together Through Life (2009), and Tempest (2012), joined by explorations of the Great American Songbook on Shadows in the Night (2015), Fallen Angels (2016), and Triplicate (2017). Rough and Rowdy Ways (2020) marked a powerful return to original songwriting; its 17‑minute "Murder Most Foul" became his first No. 1 on a Billboard chart. He received a Pulitzer Prize Special Citation (2008), the Presidential Medal of Freedom (2012), and the Nobel Prize in Literature (2016) "for having created new poetic expressions within the great American song tradition". He has continued to tour and to curate his archive through The Bootleg Series, including expansive looks at his 1960s sessions, gospel era, and Time Out of Mind period.
Personal Life
Dylan married Sara Lownds in 1965; they had children, including filmmaker Jesse Dylan and musician Jakob Dylan, before divorcing in 1977. He later married singer Carolyn Dennis in 1986; they had a daughter and divorced in 1992, a marriage kept private until later reported by biographers. Often guarding his privacy, Dylan has balanced home life with a near‑constant touring schedule since 1988, reshaping his band and setlists across eras.
Style and Themes
Dylan's art spans acoustic folk, electric blues‑rock, country, gospel, and crooner balladry. His lyrics draw on the Bible, modernist poetry, blues lore, and American vernacular speech, blending allegory, satire, and cinematic imagery. His singing, nasal and declamatory in youth, later leathery and phrasing‑driven, has been integral to his storytelling. He changed the possibilities of popular song by merging literary ambition with mainstream music and by reinventing himself musically multiple times.
People Around Him
Key figures in Dylan's story include:
- Mentors and influences: Woody Guthrie, Odetta, Pete Seeger, the Beats (notably Allen Ginsberg).
- Collaborators and bandmates: The Band (Robbie Robertson, Levon Helm, Rick Danko, Richard Manuel, Garth Hudson), Mike Bloomfield, Al Kooper, Scarlet Rivera, Charlie Sexton.
- Producers and managers: John Hammond, Tom Wilson, Bob Johnston, Jerry Wexler, Daniel Lanois, T Bone Burnett; manager Albert Grossman.
- Peers and partners: Joan Baez, Johnny Cash, George Harrison, Roy Orbison, Tom Petty, Jeff Lynne, Mark Knopfler.
Legacy
From the folk revival to rock's electric revolution and into the 21st century, Bob Dylan has been a lodestar of modern songwriting. His compositions have been widely covered, The Byrds' "Mr. Tambourine Man", Jimi Hendrix's "All Along the Watchtower", Adele's "Make You Feel My Love", and countless others, spreading his language and melodies across genres and generations. Awarded the Nobel Prize in Literature and recognized by major music and state honors, Dylan stands as a defining American artist whose work reshaped cultural expectations of what songs can say and do.
Our collection contains 46 quotes who is written by Bob, under the main topics: Witty One-Liners - Ethics & Morality - Truth - Justice - Music.
Other people realated to Bob: Warren Zevon (Musician), Patti Smith (Musician), Twyla Tharp (Dancer), Bruce Springsteen (Musician), Dana Carvey (Comedian), Martin Scorsese (Director), Joyce Carol Oates (Novelist), Phil Ochs (Musician), Lenny Bruce (Comedian), Steve Forbert (Musician)
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