John Evelyn Biography Quotes 1 Report mistakes
| 1 Quotes | |
| Occup. | Musician |
| From | England |
| Born | October 31, 1620 Wotton, Surrey, England |
| Died | February 27, 1706 London, England |
| Aged | 85 years |
John Evelyn was born in 1620 at Wotton in Surrey, England, into a prosperous family whose fortunes were tied to land, commerce, and local office. His father, Richard Evelyn, expected him to gain both education and practical experience suitable for a gentleman of means. Early schooling and time at the Middle Temple introduced him to classical learning, the law, and the social networks that would sustain him for the rest of his long life. From the start, Evelyn showed a characteristic curiosity about the natural world, the arts, and the order of civil life.
Civil War and Exile
The collapse of royal authority in the 1640s set the course of Evelyn's adult years. Sympathetic to the royalist cause, he left England during the Civil War rather than bind himself to the Commonwealth. His choice reflected allegiance to the monarchy and a preference for distance from domestic turmoil. On the Continent he observed statesmen, soldiers, artists, and scholars at close range, turning political displacement into an education in the manners, arts, and institutions of France and Italy.
Travels and Marriage
Evelyn's travels formed him as an observer. In Paris and Rome he studied architecture, sculpture, gardens, and urban planning; he attended services and spectacles, toured collections, and kept precise notes that anticipated the diarist he became. In Paris he married Mary Browne, daughter of Sir Richard Browne, the English representative in France. Sir Richard's household introduced him to diplomacy and court life, while Mary shared and supported his interest in piety, letters, and the cultivation of a well-ordered home. The marriage anchored his continental years with family responsibilities and connections.
Return to England and Sayes Court
Evelyn returned to England during the 1650s and settled at Sayes Court, Deptford, a house associated with Sir Richard Browne. There he laid out formal gardens, orchards, and nurseries that made the property famous among visitors and correspondents. His garden became a laboratory for planting, pruning, and propagation, the basis for advice he would later publish. Even before the Restoration he cultivated relationships with learned men and kept careful journals. He suffered private losses as illness and mortality took several of his children, a grief recorded with restraint in his papers.
The Restoration and Public Service
With the return of Charles II, Evelyn's position improved. Loyal yet independent, he preferred service on commissions and boards to the hazards of faction. He sat on committees concerning the streets and sewers of London, poor relief after crises, and the care of sick and wounded seamen during the Anglo-Dutch wars, work that intersected with the naval administration where Samuel Pepys became prominent. After the Great Fire of 1666 he aided inquiries and discussions about rebuilding, working with leading figures such as Christopher Wren and Robert Hooke to consider plans for a healthier, more ordered city.
The Royal Society and Scientific Culture
Evelyn moved easily among the early Fellows of the Royal Society, including Robert Boyle and others who defined the experimental ethos. He was elected a Fellow soon after the Society received its charter and served frequently on its council and committees. Learned without being a specialist, he translated works, reported on experiments, and commended practical knowledge in mechanics, engraving, horticulture, and forestry. His house and garden were extensions of this culture, places where visitors found instruments, drawings, specimens, and carefully arranged trees.
Writings and Ideas
Evelyn's reputation rests on a cluster of works that joined erudition to public purpose. Fumifugium (1661) addressed the foul air of London, proposing remedies to mitigate smoke and improve the city's health. Sylva (first issued in 1664 under the patronage of the Royal Society) argued for systematic tree planting, especially of oak, to support shipbuilding and restore woodlands; appended to it, Kalendarium Hortense offered a monthly guide to the gardener's year and became one of the century's most popular practical texts. Sculptura (1662) treated the history and practice of engraving, reflecting his engagement with prints and the fine arts. Later, Numismata explored the moral and historical lessons embodied in medals and coins. Across subjects, his writing combined classical reference, practical directions, and a reforming spirit.
The Diary
Evelyn's diary, kept for decades, provides a steady, meticulously observed account of seventeenth-century life. He recorded great events, the regicide of Charles I, the return of the monarchy under Charles II, the Great Plague of 1665, the Great Fire of 1666, the revolution of 1688 that brought William III and Mary II to the throne, and set them beside the rhythms of gardens, sermons, dinners, and visits. Figures such as Samuel Pepys appear within this record as colleagues or acquaintances, not as literary foils. The diary's tone is often sober and reflective, revealing a temperament more moralist and observer than courtier.
Art, Architecture, and Urban Vision
Evelyn admired architecture as a civilizing art. He praised classical proportion and considered how streets, markets, hospitals, and churches could improve public life. In conversation and committee work he joined Christopher Wren and Robert Hooke in advocating wider thoroughfares, fire-resistant materials, and regulated building lines after the Fire. His eye for painting and sculpture, shaped by encounters with Italian masters and with collectors in France, fed his criticism and his collecting. He encouraged taste formed by study rather than novelty.
Sayes Court and Horticulture
Sayes Court remained his great practical project. There Evelyn cultivated avenues, parterres, orchards, and specialized nurseries, testing species and methods he recommended in print. The garden's reputation drew visitors from England and abroad. Late in the century, when Peter the Great came to Deptford to learn shipbuilding practices, he and his retinue used nearby quarters; the heavy wear and mishandling associated with their stay caused notable damage to Evelyn's carefully tended grounds, an episode that underlined both the fame and the fragility of his horticultural achievement.
Faith, Character, and Circle
A conforming Anglican with a serious devotional life, Evelyn sought moderation amid extremes. He corresponded with clergy and lay reformers, admired learned divines, and valued household piety alongside public duty. He cultivated friendships with Robert Boyle for philosophical conversation, with Samuel Pepys for administration and letters, and with Christopher Wren for architecture and civic improvement. His marriage to Mary Browne was a central partnership in his life; her management, taste, and endurance appear throughout his papers. He endured the deaths of children and friends with a steady, sometimes stoical, voice.
Later Years and Legacy
In old age Evelyn divided his time between Deptford and Wotton, to which he eventually succeeded. He lived long enough to see the reigns of James II, William III, and Anne, maintaining a cautious loyalty to the crown while reserving judgment on the policies of any single regime. He died in 1706 and was laid to rest at Wotton among his family. His books continued to circulate, especially Sylva and its gardening calendar, which shaped practice across estates and nurseries for generations. When his diary was later brought to public notice, it fixed his standing as one of the great witnesses of his century, an English gentleman of letters, civility, and conscience, closely associated with figures such as Boyle, Wren, Hooke, and Pepys, and committed above all to the improvement of arts, environment, and public life.
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