Vinnie Vincent Biography Quotes 7 Report mistakes
| 7 Quotes | |
| Born as | Vincent John Cusano |
| Occup. | Musician |
| From | USA |
| Born | August 6, 1952 Bridgeport, Connecticut, United States |
| Age | 73 years |
Vincent John Cusano, known professionally as Vinnie Vincent, was born on August 6, 1952, in Bridgeport, Connecticut, USA. Drawn to the guitar at an early age, he developed a precise, high-energy style that emphasized speed, sustain, and melodic phrasing. Through the 1970s he worked as a songwriter and guitarist, sharpening his craft in studios and on small stages. By the turn of the 1980s, he had become a technically accomplished player with a songwriter's ear for hooks and structure, a combination that would soon bring him to international attention.
Breakthrough with KISS
In 1982, Vincent entered the orbit of KISS as the band looked to revitalize its sound. With founding guitarist Ace Frehley on his way out, KISS leaders Gene Simmons and Paul Stanley, along with drummer Eric Carr and producer Michael James Jackson, were reinventing the group for a harder, more contemporary edge. Vincent, introduced as the Ankh Warrior, contributed guitar on the Creatures of the Night era and quickly became a key co-writer. His fingerprints are audible on staples such as I Love It Loud and I Still Love You from Creatures of the Night (1982), and on Lick It Up, Exciter, and A Million to One from Lick It Up (1983). The band's decision to remove its makeup in 1983 placed even more focus on musicianship, and Vincent's fleet, flamboyant solos became a focal point onstage.
Despite the musical chemistry, the relationship proved volatile. Disagreements over contracts, live performance length, and direction strained ties with Simmons and Stanley. Vincent departed in 1984 after the Lick It Up cycle, but the creative link did not fully sever. In 1992, he reconnected as a songwriter, co-authoring Unholy and Heart of Chrome for KISS's revenge-minded album Revenge, demonstrating that the collaborative spark with Simmons and Stanley could still yield hard-hitting material.
Vinnie Vincent Invasion
After KISS, Vincent formed Vinnie Vincent Invasion, recruiting bassist Dana Strum, drummer Bobby Rock, and initially vocalist Robert Fleischman. The group signed to Chrysalis Records and released a self-titled debut in 1986. By then Mark Slaughter had taken over the microphone, and the band's sound crystallized around Vincent's rapid-fire leads, stacked harmonies, and big-chorus hooks. Songs like Boyz Are Gonna Rock and Shoot U Full of Love showcased a maximalist approach aligned with the rise of glam metal.
The follow-up, All Systems Go (1988), further refined the formula, spotlighting Slaughter's rangy vocals and Vincent's blazing technique. Love Kills gained additional visibility through its appearance in mainstream media, and the band toured extensively. Yet internal tensions and business disagreements simmered. Within a few years, Mark Slaughter and Dana Strum departed to form Slaughter, achieving mainstream hits in the early 1990s and carrying forward some of the melodic sensibilities they had honed with Vincent. Bobby Rock continued as an in-demand drummer, while Vincent stepped back from the full-time band model.
Songwriting, Solo Work, and Public Hiatus
Vincent kept a lower profile in the 1990s, punctuated by notable songwriting collaborations with KISS and limited-release solo recordings that circulated among dedicated fans. Demos and EP-length projects, including materials often referenced by titles such as Euphoria and Speedball Jamm, underscored his dual identity as songwriter and guitar technician. He teased larger projects and archival sets from time to time, fueling a mystique that grew as his public appearances dwindled. For many, his scarcity only deepened interest in the precision and aggression of his recorded playing.
Legal Battles and Industry Friction
Disputes involving royalties, credits, and trademarks with former colleagues and business partners added turbulence to Vincent's career arc. Litigation and counter-litigation, particularly around the KISS years and subsequent catalog matters, consumed time and energy. Personal legal issues emerging in the 2010s brought further scrutiny. While the specifics and outcomes varied by case, the cumulative effect reinforced his image as a brilliant, mercurial figure for whom the business of rock often clashed with the art.
Reemergence and Later Appearances
In 2018 Vincent made a rare return to the public eye at the Atlanta Kiss Expo, engaging in interviews and meet-and-greets that drew fans from around the world. The event, which included onstage conversation hosted by veteran rock commentator Eddie Trunk, offered a glimpse of the artist's history from his own perspective and rekindled discussion about his playing, songs, and archives. Sporadic appearances and limited events followed, often focused on signings, Q&As, or small-scale performance moments rather than full tours, keeping his mystique intact while acknowledging a devoted community eager to celebrate his work.
Musical Style and Impact
Vincent's style blends blistering alternate picking, sweeping arpeggios, and a singing vibrato with a strong sense of songcraft. On KISS's Creatures of the Night and Lick It Up, his riffs and solos added menace and technical flair at a pivotal time, helping bridge the band's theatrical 1970s roots to the leaner, heavier 1980s. The Ankh Warrior persona remains one of the memorable late-mask-era characters in the KISS universe. With Vinnie Vincent Invasion, he brought that same intensity to a band built around his lead guitar, shaping a sound that anticipated and mirrored the excess, color, and velocity of glam metal's late-1980s peak.
His relationships with Gene Simmons, Paul Stanley, and Eric Carr framed his most high-profile chapter, while partnerships with Robert Fleischman, Mark Slaughter, Dana Strum, and Bobby Rock defined his post-KISS endeavors. Even as conflicts and interruptions complicated his trajectory, the best of his recorded work retains a sharpness and urgency that continues to attract new listeners. Among guitarists, he is frequently cited as a player who balanced shred-era bravura with memorable hooks, a combination that helps explain why songs he co-wrote remain staples of rock radio and why Vinnie Vincent Invasion maintains a fervent cult following.
Selected Career Highlights
With KISS: guitarist and co-writer on Creatures of the Night (1982) and Lick It Up (1983), contributing to I Love It Loud, I Still Love You, Lick It Up, Exciter, and other tracks; later co-writer on songs such as Unholy and Heart of Chrome for Revenge (1992).
With Vinnie Vincent Invasion: founder and lead guitarist on Vinnie Vincent Invasion (1986) and All Systems Go (1988), with notable collaborators Robert Fleischman, Mark Slaughter, Dana Strum, and Bobby Rock.
Across these chapters, Vincent's legacy rests on a distinctive guitar voice and a set of songs that helped define a crucial transition in mainstream hard rock and metal.
Our collection contains 7 quotes who is written by Vinnie, under the main topics: Music - New Beginnings - Retirement.