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Dave Van Ronk Biography

Occup.Musician
FromUSA
BornJune 30, 1936
DiedFebruary 10, 2002
Aged65 years
Dave Van Ronk, an American individual vocalist, songwriter, as well as guitar player, was born on June 30, 1936, in Brooklyn, New York, as well as passed away on February 10, 2002. Called the "Mayor of MacDougal Street," Van Ronk played an influential role in the introduction of the individual music rebirth that happened in New York City's Greenwich Village during the 1950s and 1960s. Throughout his job, Van Ronk earned honor for his unique scratchy vocals, his fingerpicking guitar design, his encyclopedic knowledge of conventional American songs, and his mentorship of lots of young musicians, consisting of the similarity Bob Dylan, Joni Mitchell, as well as Phil Ochs.

Van Ronk grew up in a working-class family members and also started his initiation right into the world of music at an early age, discovering to play the banjo, guitar, as well as harmonica. He began performing in public by the age of 15, having fun with neighborhood jazz bands as well as checking out the songs of musicians such as Lead Belly, Woody Guthrie, Pete Seeger, as well as the Weavers. In the early 1950s, he came to be related to the growing people and also blues scenes in Greenwich Village, which heavily influenced his musical inclinations and also resulted in his change from jazz to individual.

In 1959, Van Ronk's job took a considerable turn with the release of his debut solo cd, "Ballads, Blues, and a Spiritual." Throughout his job, he would certainly take place to release greater than twenty albums, including successful documents like "Folksinger" (1963) and also "Inside Dave Van Ronk" (1964), which showcased his cutting-edge songwriting abilities and stylistic technique to standard individual music. Along with his solo work, Van Ronk was also indispensable to the development of several folk resurgence bands, such as The Ragtime Jug Stompers and also The Hudson Dusters.

Van Ronk's impact prolonged beyond his songs, as he also functioned as a coach to countless individual musicians who would later take their place at the leading edge of the movement. Of certain note, he played a vital function in Bob Dylan's early career-- supplying him with a place to stay when he first showed up in New York and also presenting him to the Village's lively individual music area. This connection was later on celebrated in the Coen Brothers' 2013 film, "Inside Llewyn Davis," which was freely based on Van Ronk's life and also experiences in the 1960s.

Throughout his life, Van Ronk stayed energetic in the songs scene, pressing boundaries and discovering brand-new musical categories. His later cds included elements of jazz, rock, and speculative songs without forgeting his ingrained love for conventional American music. He continued to execute live shows as well as team up with other artists up until his fight with colon cancer compelled him to slow down.

Dave Van Ronk passed away on February 10, 2002, in New York City. His effect on American folk music and also his long-term heritage as a mentor as well as pioneer left an enduring mark on the genre, affecting generations of musicians who adhered to in his steps. His payments to the world of music will certainly not be neglected, as well as his tunes stay as a testament to his creative spirit and also tremendous ability.

Our collection contains 20 quotes who is written / told by Dave.

Related authors: Woody Guthrie (Musician), Pete Seeger (Musician), Joni Mitchell (Musician), Lawrence Taylor (Athlete), Phil Ochs (Musician), Bob Dylan (Musician)

Discography:

20 Famous quotes by Dave Van Ronk

Small: One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or
"One of my earliest memories... I knew three full verses of the Star Spangled Banner when I was seven or eight years old. And one of the nuns discovered this phenomenon and I was actually sent around from classroom to classroom to do the whole thing"
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Small: They basically said that if I didnt show up for school theyd mark me present, they wouldnt send the tru
"They basically said that if I didn't show up for school they'd mark me present, they wouldn't send the truant officer after me. At 16 I enrolled in something called continuing education. Once a month I'd go out to Jamaica, but I didn't take it seriously"
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Small: There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians werent pe
"There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians"
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Small: If you asked anybody in my family, they would have very stridently proclaimed themselves middle class.
"If you asked anybody in my family, they would have very stridently proclaimed themselves middle class. My mother and father were separated, so he doesn't count"
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Small: Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I jus
"Ian and Sylvia, who, when you got right down to it, were essentially country and western singers. I just recorded his Four Strong Winds. It's a wonderful song"
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Small: Im an exhibitionist, I was an exhibitionist as a kid
"I'm an exhibitionist, I was an exhibitionist as a kid"
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Small: You cant be afraid of failure and you cant be afraid of success, because either one gets in the way of
"You can't be afraid of failure and you can't be afraid of success, because either one gets in the way of your work"
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Small: Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and coo
"Most of what I listen to now is mainstream jazz from 1935 right up to and including early bebop and cool jazz"
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Small: If there was ever any truth to the trickle-down theory, the only evidence of it Ive ever seen was in th
"If there was ever any truth to the trickle-down theory, the only evidence of it I've ever seen was in that period of 1960 to 1965. All of sudden they were handing out major label recording contracts like they were coming in Cracker Jack boxes"
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Small: I think I have more in common with a carpenter than you might think. Were putting things together
"I think I have more in common with a carpenter than you might think. We're putting things together"
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Small: I dont think I went a year or so without a record between 1959 and 1979, sometimes two
"I don't think I went a year or so without a record between 1959 and 1979, sometimes two"
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Small: By the mid-70s, I wanted to get out of the business. I was tired anyway
"By the mid-70s, I wanted to get out of the business. I was tired anyway"
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Small: When youre working in front of an audience, you have incentive to excel
"When you're working in front of an audience, you have incentive to excel"
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Small: If I do a piece in my living room, if I practice it - and I have the tapes to prove this - its not goin
"If I do a piece in my living room, if I practice it - and I have the tapes to prove this - it's not going to be as good as doing the same piece in front of an audience"
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Small: Im a very, very stubborn man
"I'm a very, very stubborn man"
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Small: Honesty is the cruelest game of all, because not only can you hurt someone - and hurt them to the bone
"Honesty is the cruelest game of all, because not only can you hurt someone - and hurt them to the bone - you can feel self-righteous about it at the same time"
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Small: If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and the
"If you look at music, you see theme, variation, you see symmetry, asymmetry, you see structure, and these are related to skills in the real world"
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Small: I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician
"I cut myself off from the mainstream of jazz. It stood me in good stead later on, as a musician"
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Small: My uncle and my grandfather both worked in the Brooklyn Navy Yard
"My uncle and my grandfather both worked in the Brooklyn Navy Yard"
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Small: In the early 1970s. 1971, 72. The rooms were closing down, record labels werent signing acoustic acts a
"In the early 1970s. 1971, '72. The rooms were closing down, record labels weren't signing acoustic acts any more. Although they had been pretty much been getting out of that for some time before that"
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