Introduction
"Worldwide Underground" is the 3rd studio album by American singer Erykah Badu, launched on September 16, 2003, by Motown Records. The album, which is an experimental follow-up to her very first two albums "Baduizm" (1997) and "Mama's Gun" (2000), includes a more unpolished noise and less structured tunes than its predecessors. Badu, who described the album as an "expression of her current frame of mind", got a number of guest artists, consisting of popular soul singers Lenny Kravitz, Angie Stone, and Queen Latifah.
Themes and Style
"Worldwide Underground" leaves from the neo-soul sound that defined Badu's earlier works, instead checking out components of funk, jazz, hip-hop, and electronica. Erykah Badu's try out various musical styles is evident throughout the album, which helps develop a raw and unfiltered feel that is both authentic and unrestrained. The album's noise is greatly affected by its predecessor, "Mama's Gun", with a focus on live instrumentation and very little production.
The album's title, "Worldwide Underground", referrals both its musical impacts, drawing from global sounds and underground subcultures, and the content of the tunes, which tackle themes such as love, culture, politics, and spirituality. There is no constant narrative thread going through the album, which contributes to its speculative and exploratory nature.
Structure
"Worldwide Underground" is made up of nine tracks and runs for an overall length of approximately 50 minutes. The songs on the album differ in length, with some lasting for over eight minutes and others for simply over 2 minutes. The tracks mix together effortlessly, producing an immersive listening experience.
Among the standout tracks of the album is the opening song "World Keeps Turnin' (Intro)", which samples elements of funk, jazz, and neo-soul. This track sets the tone for the remainder of the album with its poetic lyrics and a smooth, hypnotic groove. Another notable tune is "Back in the Day (Puff)", which pays tribute to the roller-skating culture of the 1980s and includes a guest look from Lenny Kravitz.
"Love of My Life Worldwide", which complete the album, is a sequel to Badu's previous hit single "Love of My Life (An Ode to Hip-Hop)". The track, which is a global cooperation featuring Queen Latifah, Angie Stone, and Bahamadia, is an event of hip-hop culture and its global influence.
Reception
Upon its release, "Worldwide Underground" got mixed reviews from music critics, who praised Badu's experimentation and progressive approach, while also critiquing the album's absence of cohesion and available hooks. Regardless of the blended response, the album was a business success, debuting at number three on the U.S. Billboard 200 chart and selling over 143,000 copies in its first week.
The album received a number of award nominations, consisting of a Grammy Award election for Best R&B Album, and its single "Back in the Day (Puff)" was chosen for Best Urban/Alternative Performance.
Tradition and Influence
Though "Worldwide Underground" might not have actually reached the vital praise of Erykah Badu's earlier works, it remains a necessary piece of her discography. The album demonstrates her desire to experiment and push borders, which has become a hallmark of her career. For many years, the album has influenced a new generation of artists, showing an ongoing gratitude for Badu's special design and genre-blending method.
Artist: Erykah Badu
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