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A Certain Smile (1956) by Francoise Sagan |
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A Forest Hymn (1824) by William C. Bryant |
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A Life Drama (1853) by Alexander Smith |
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Aimez-vous Brahms... (1959) by Francoise Sagan |
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Alastor; or, The Spirit of Solitude (1816) by Percy Bysshe Shelley |
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Alexander Pope (1880) by Leslie Stephen |
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Beppo (1818) by Lord Byron |
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Bonjour Tristesse (1954) by Francoise Sagan |
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Bright Star (1819) by John Keats |
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Canaima (1935) by Romulo Gallegos |
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Cantaclaro (1934) by Romulo Gallegos |
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Childe Harold's Pilgrimage (1812) by Lord Byron |
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Counter-Statement (1931) by Kenneth Burke |
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Doña Bárbara (1929) by Romulo Gallegos |
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Dramatism and Development (1972) by Kenneth Burke |
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Electric Delights (1978) by William Plomer |
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English Literature and Society in the Eighteenth Century (1904) by Leslie Stephen |
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Epipsychidion (1821) by Percy Bysshe Shelley |
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Ethan Frome (1911) by Edith Wharton |
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Giant Steps: The Remarkable Story of Allan Bloom (1992) by Allan Bloom |
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Hellas (1822) by Percy Bysshe Shelley |
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Hours in a Library (1905) by Leslie Stephen |
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I Speak of Africa (1965) by William Plomer |
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In the Shadow of Islam (2003) by Isabelle Eberhardt |
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Julian and Maddalo (1818) by Percy Bysshe Shelley |
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La Chamade (1965) by Francoise Sagan |
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La Trepadora (1925) by Romulo Gallegos |
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Lara (1814) by Lord Byron |
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Love and Friendship (1993) by Allan Bloom |
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Manfred (1817) by Lord Byron |
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Marmion (1808) by Walter Scott |
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Mazeppa (1819) by Lord Byron |
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Mont Blanc; Lines Written in the Vale of Chamouni (1816) by Percy Bysshe Shelley |
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Ode to Napoleon Buonaparte (1814) by Lord Byron |
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Ode to the West Wind (1819) by Percy Bysshe Shelley |
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On First Looking into Chapman's Homer (1816) by John Keats |
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On the Secular Cooling of the Earth (1862) by Lord Kelvin |
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Ozymandias (1818) by Percy Bysshe Shelley |
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Parisina (1816) by Lord Byron |
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Pobre Negro (1937) by Romulo Gallegos |
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Prometheus Unbound (1820) by Percy Bysshe Shelley |
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Rokeby (1813) by Walter Scott |
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Samson Agonistes (1671) by John Milton |
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Sohrab and Rustum (1853) by Matthew Arnold |
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St. Irvyne; or, The Rosicrucian (1811) by Percy Bysshe Shelley |
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Studies of a Biographer (1898) by Leslie Stephen |
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Summer (1917) by Edith Wharton |
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Thanatopsis (1817) by William C. Bryant |
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The Age of Innocence (1920) by Edith Wharton |
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The Cenci (1819) by Percy Bysshe Shelley |
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The Child of Queen Victoria and Other Stories (1933) by William Plomer |
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The Cloud (1820) by Percy Bysshe Shelley |
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The Corsair (1814) by Lord Byron |
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The Custom of the Country (1913) by Edith Wharton |
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The Giaour (1813) by Lord Byron |
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The Heart-Keeper (1968) by Francoise Sagan |
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The House of Mirth (1905) by Edith Wharton |
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The Invaders (1934) by William Plomer |
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The Lady of the Lake (1810) by Walter Scott |
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The Last Puritan (1935) by George Santayana |
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The Lay of the Last Minstrel (1805) by Walter Scott |
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The Lay of the Love and Death of Cornet Christopher Rilke (1899) by Rainer Maria Rilke |
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The Masque of Anarchy (1819) by Percy Bysshe Shelley |
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The New Colossus (1883) by Emma Lazarus |
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The Night-Wind (1846) by Emily Bronte |
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The Oblivion Seekers (1975) by Isabelle Eberhardt |
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The Philosophy of Literary Form (1941) by Kenneth Burke |
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The Prisoner of Chillon (1816) by Lord Byron |
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The Raven (1845) by Edgar Allan Poe |
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The Revolt of Islam (1818) by Percy Bysshe Shelley |
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The Sensitive Plant (1820) by Percy Bysshe Shelley |
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The Siege of Corinth (1816) by Lord Byron |
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To a Waterfowl (1818) by William C. Bryant |
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To a Wreath of Snow (1846) by Emily Bronte |
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When I Have Fears that I may Cease to Be (1818) by John Keats |
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Words andWordsmiths (1930) by Herbert V. Prochnow |
