Richard Masur Biography Quotes 12 Report mistakes
| 12 Quotes | |
| Occup. | Actor |
| From | USA |
| Born | November 20, 1948 |
| Age | 77 years |
Richard Masur was born on November 20, 1948, in New York City, and grew up at the heart of American theater and television culture. As a young performer he gravitated to character work, drawn to roles that required warmth, intelligence, and quiet resolve. Early experience in school and community theater set a foundation for a professional path that would span decades across stage, television, and film. From the outset, colleagues noted his reliability, attention to detail, and a grounded presence that made him a natural fit for ensemble storytelling.
Emergence on Television
Masur's national profile rose in the 1970s as he began booking steady television work. His breakthrough came on the Norman Lear-produced sitcom One Day at a Time, where he portrayed David Kane, a caring and level-headed partner to Ann Romano, played by Bonnie Franklin. The interplay between Masur and Franklin, joined by Valerie Bertinelli and Mackenzie Phillips as Ann's daughters, helped define the show's mix of humor and real-life issues. Masur's gift for playing decent, empathetic men fit Lear's socially conscious universe, and he became a familiar face to TV audiences, moving fluidly between comedy and drama in subsequent guest and recurring roles.
Feature Films and Genre Work
Masur's film career showcased the same versatility. In John Carpenter's The Thing (1982), he played Clark, the dog handler whose quiet competence and simmering anxiety made him central to the film's slow-burn paranoia. Working alongside Kurt Russell, Keith David, Wilford Brimley, Donald Moffat, and others in Carpenter's tight ensemble, Masur delivered a performance that has earned lasting admiration among genre fans. He demonstrated a deft touch with mainstream comedy as well, notably in License to Drive (1988), portraying a flummoxed but loving father opposite Carol Kane, with Corey Haim and Corey Feldman headlining.
For many viewers, his work in the 1990 miniseries adaptation of Stephen King's It remains definitive. As the adult Stanley Uris, Masur brought vulnerability and dignity to a character haunted by childhood terror, acting alongside Tim Curry's iconic Pennywise and an ensemble that included John Ritter, Richard Thomas, Annette O'Toole, Harry Anderson, Tim Reid, and Dennis Christopher. The part exemplified Masur's ability to anchor extraordinary stories with everyday humanity.
Craft and Range
Throughout the 1980s and 1990s, Masur became a go-to actor for roles that required moral clarity, rueful humor, or quiet strength. Casting directors relied on his ability to build complete, believable people in limited screen time. He moved comfortably among studio pictures, television movies, and independent productions, and he continued to appear in series that valued nuanced supporting performances. Colleagues often remarked on his collaborative spirit, the way he listened on screen, and the care he took to elevate scenes for partners and crews alike.
Screen Actors Guild Leadership
Masur's influence extended beyond acting when he served as president of the Screen Actors Guild from 1995 to 1999. Those were years of technological and industrial change, as cable expansion and early digital distribution began to reshape how performers' work was used and compensated. Masur led negotiations with a focus on fair residuals, workplace safety, and protections for rank-and-file members, including background performers. He worked alongside other prominent union figures and later collaborated with and advised successors such as William Daniels and Melissa Gilbert. His tenure reinforced a reputation for diligence and integrity, and he remained a respected voice in debates about consolidation within performers' unions and the evolving relationship with producers and advertisers.
Mentorship and Professional Community
As his career developed, Masur became a mentor to younger actors, often emphasizing preparation, flexibility, and union engagement. Directors appreciated his readiness to adjust, his care for continuity, and his instinct for when to underplay a moment. Fellow cast members, from veteran character actors to rising leads, found in him a steady partner who made scenes feel lived-in. His work ethic on set reflected the same principles he championed at SAG: professionalism, respect, and collective responsibility.
Later Work and Continuing Presence
Masur remained visible across television and film into the new century, gravitating to roles that leveraged his credibility as a thoughtful everyman and a moral center. Whether taking on guest arcs in dramas, lending warmth to family fare, or returning to genre projects that delighted longtime fans, he demonstrated that character acting is a craft of accumulation, each role lending weight to the next. Casting teams often sought him to stabilize ensembles, a testament to decades of trust in his instincts and reliability.
Personal Perspective and Values
Private by nature, Masur has typically allowed the work to speak for itself, but his public service at SAG offered a clear view of his values: advocacy for fair treatment, openness to technological change tempered by protections for artists, and a belief that the health of the industry depends on safeguarding those who make its stories possible. Colleagues in union leadership frequently cited his careful preparation and willingness to listen as keys to building consensus, even in contentious negotiations.
Legacy
Richard Masur's legacy rests on two intertwined pillars. On screen, he helped define the American character actor: deeply prepared, emotionally precise, and generous with scene partners. In The Thing, One Day at a Time, It, and family comedies like License to Drive, he made characters memorable not through spectacle, but through truthfulness. Off screen, his seasons leading the Screen Actors Guild signal a commitment to the broader community that sustains performers' livelihoods. In both arenas, the people around him, artists like John Carpenter, Bonnie Franklin, Kurt Russell, Carol Kane, Tim Curry, and union colleagues including William Daniels and Melissa Gilbert, shaped and were shaped by a professional who treated collaboration as the heart of the work. That dual impact, artistic and civic, has made Masur a respected figure to generations of actors and audiences alike.
Our collection contains 12 quotes who is written by Richard, under the main topics: Art - Learning - Deep - Health - Equality.