James Dickey Biography Quotes 17 Report mistakes
| 17 Quotes | |
| Occup. | Novelist |
| From | USA |
| Born | February 2, 1923 |
| Died | January 19, 1997 |
| Aged | 73 years |
James Dickey was born in 1923 in Atlanta, Georgia, and grew up in the modernizing South that would later inform much of his work. After a brief stint at Clemson, he enlisted during World War II and postponed a conventional collegiate path. Returning from service, he studied at Vanderbilt University, earning a bachelor's and then a master's degree in English. The rigorous training in poetry and criticism he absorbed there, along with the lingering presence of the Southern literary tradition around Nashville, helped orient his sensibility: an allegiance to musicality in language, an appetite for myth, and a fascination with the tensions between civilization and the primal.
War Service and Its Imprint
Dickey served in the U.S. Army Air Forces in World War II as a radar operator on night fighter aircraft and returned to duty during the Korean conflict. The experience marked him permanently. The split-second urgencies of flight, the vulnerability of the body, and the stark encounters with mortality appear across his poems, nowhere more directly than in "The Firebombing" and "Falling", where the exhilaration and terror of flight merge with moral ambiguity. War provided him not only with subject matter but with a cadence: a stripped, pressurized line that could suddenly open into visionary expansiveness.
Emergence as a Poet
Throughout the 1950s he taught at several universities and worked in advertising, writing verse at night and on weekends. His early volumes, Into the Stone, Drowning with Others, and Helmets, announced a distinctive voice, but it was Buckdancer's Choice (1965) that made his reputation, winning the National Book Award and placing him among the most recognizable American poets of his generation. He became known for electrifying public readings, commanding auditoriums with a voice that could shift from intimate whisper to incantatory surge. In 1966 he was named Consultant in Poetry to the Library of Congress (a role later called U.S. Poet Laureate), serving until 1968 and bringing a showman's flair to a traditionally quiet post. Poems such as "The Heaven of Animals", "Cherrylog Road", and "The Sheep Child" circulated widely in anthologies and classrooms, illustrating his blend of narrative drive, mythic reach, and Southern imagery.
Deliverance and Cultural Impact
Dickey's one great breakout into popular culture came with his novel Deliverance (1970), a spare, relentless tale of four suburban men who attempt a canoe trip in the Georgia mountains and collide with violence, wilderness, and their own untested selves. The 1972 film adaptation, directed by John Boorman and starring Jon Voight, Burt Reynolds, Ned Beatty, and Ronny Cox, became a landmark of American cinema. Dickey adapted his own book for the screen and appeared in a memorable cameo as the local sheriff. Boorman's exacting vision and Dickey's intense, sometimes combative involvement made the production famous, and the film's success amplified the novel's themes, masculinity, survival, and the cost of awakening primal instincts, into a national conversation. For many readers, Deliverance overshadowed the poetry, even as it drew new audiences to his verse.
Teaching, Public Roles, and Later Books
Dickey settled for many years at the University of South Carolina in Columbia, where he served as poet-in-residence and became a charismatic presence for students and visitors. He continued publishing ambitious work: The Eye-Beaters, Blood, Victory, Madness, Buckhead and Mercy; Falling, May Day Sermon, and Other Poems; and later, The Whole Motion: Collected Poems, 1945, 1992. He returned to the novel with Alnilam (1987), a hallucinatory story set around a World War II air base, and To the White Sea (1993), a stark odyssey that follows an airman's desperate trek across wartime Japan. In 1977 he composed and publicly read "The Strength of Fields" for the inauguration of President Jimmy Carter, an emblem of his standing as a poet who could speak to national moments as well as private ones.
Personal Life
Dickey's family life shaped both his stability and his turmoil. He married Maxine, with whom he had two sons, Christopher and Kevin. After Maxine's death, he married Deborah Dodson; their daughter, Bronwen, later became a writer. Those closest to him saw his fierce devotion to work and family, but also his struggles with alcohol and the pressures of fame. Christopher Dickey, who became a prominent journalist and author in his own right, wrote candidly about their relationship and the shadow cast by Deliverance, offering a son's perspective on a father whose charisma on stage could not always be sustained at home. Deborah helped steady his later years in Columbia, where friends, students, and fellow writers gathered around him even as illness advanced.
Style and Themes
Dickey fused high rhetorical ambition with visceral subject matter. The poems move through metamorphoses, from the human to the animal, from the present to ancestral time, using long lines, sudden enjambments, and a musicality that echoes both hymn and howl. He was drawn to moments when the veneer of civility fractures: a hunter in the woods, a pilot over a burning city, a man in a river current. Memory and invention interweave; the factual substrates of war, Southern landscapes, and family stories become arenas for mythic testing. Admirers praised his technical daring and oratorical power, while critics sometimes faulted his self-mythologizing and occasional grandiosity. He accepted the risks of excess as the cost of pursuing heightened states of awareness on the page.
Final Years and Legacy
In the 1990s, as illnesses mounted, Dickey kept writing and mentoring. He died in 1997 in Columbia, South Carolina, closing a career that had stretched from wartime service through the late-20th-century culture wars. He left behind an influential body of poetry, a novel that transformed American popular culture, and a lineage of students and readers who learned from his insistence that language can be both instrument and ordeal. The circle of people around him, his first wife Maxine; his second wife Deborah Dodson; his children Christopher, Kevin, and Bronwen; filmmakers such as John Boorman; and the actors who embodied his characters, helped shape his public life and preserve his legacy. Today he endures as a writer who held the American imagination with equal parts fire and craft, anchoring lyric intensity to narratives of ordeal, and insisting that the wilderness within and without remains central to understanding who we are.
Our collection contains 17 quotes who is written by James, under the main topics: Ethics & Morality - Wisdom - Music - Writing - Deep.