John Kricfalusi Biography

John Kricfalusi, Artist
Occup.Artist
FromCanada
BornSeptember 9, 1955
Age69 years
John Kricfalusi, born on September 9, 1955, in Chicoutimi, Quebec, Canada, is a popular animator, author, voice actor, and director. With an occupation spanning over four years, Kricfalusi has left an indelible mark on the computer animation industry, most especially as the maker of the groundbreaking animated television collection, "The Ren & Stimpy Show". Kricfalusi's strong and also cutting-edge technique to computer animation has made him both affection and also debate, making him among one of the most prominent and polarizing numbers in modern animation.

Kricfalusi's journey right into computer animation started at a young age when he revealed a keen passion in attracting and comics. As a teen, he frequented computer animation events and also examined the jobs of animation legends such as Tex Avery, Bob Clampett, and also Chuck Jones. Influenced by their works and also determined to go after a career in computer animation, Kricfalusi enlisted at Sheridan College in Ontario, Canada. At Sheridan, he refined his skills under the tutoring of animation experts as well as built relationships that would certainly later on play important functions in his occupation.

After finishing, Kricfalusi safeguarded a position at Filmation Studios, where he worked with shows such as "The New Adventures of Tom & Jerry", "Fat Albert and also the Cosby Kids", as well as "He-Man as well as the Masters of the Universe". Disappointed with the constraints of his job and also pursuing higher imaginative flexibility, Kricfalusi left Filmation to join Hanna-Barbera in the very early 1980s.

At Hanna-Barbera, he worked with several remarkable shows, consisting of "The Smurfs" as well as "The Jetsons". During his time here, Kricfalusi established his special method to animation and narration, integrating aspects of surrealism, slapstick wit, and unconventional visuals. Kricfalusi's growing reputation captured the focus of Ralph Bakshi, an animation supervisor known for his daring and also adult-oriented functions. Kricfalusi joined Bakshi, as well as with each other, they serviced the short-term computer animated collection, "Mighty Mouse: The New Adventures" for the CBS network.

In 1991, Kricfalusi achieved mainstream success as the maker, author, and supervisor of "The Ren & Stimpy Show", a computer animated tv series for Nickelodeon, featuring the wacky escapades of a neurotic Chihuahua, Ren, and also a dimwitted pet cat, Stimpy. The series quickly acquired a cult adhering to because of its unusual humor, edgy design, as well as unusual animation. The program also featured Kricfalusi's vocal skills, as he voiced the personality of Ren.

In spite of the acclaim, "The Ren & Stimpy Show" was stuck in debate as a result of its subversive content and encounter the network's standards and also practices. Kricfalusi's strained relationship with the network caused his discontinuation from the show in 1992. After his departure, the series continued without him however fell short to recapture the distinct top qualities of Kricfalusi's work.

Complying with "The Ren & Stimpy Show", Kricfalusi founded his animation studio, Spümcø, where he created computer animated shorts, consisting of "The Ripping Friends" and also the "Weekend Pussy Hunt" internet series. He likewise worked with video, most notoriously for the band Red Hot Chili Peppers' tune "Californication". In 2003, Kricfalusi revived his magnum piece, generating "Ren & Stimpy 'Adult Party Cartoon'" for Spike TV, which featured a lot more adult-oriented material. Nevertheless, the show did not enjoy the same appeal as its precursor and was at some point terminated.

Kricfalusi remains to work in animation as well as has routed several episodes of "The Simpsons", including the show's season 15 premiere. Despite controversies surrounding his personal life and also occupation, John Kricfalusi remains a substantial number in the globe of computer animation, and his work continues to influence countless artists and also animators.

Our collection contains 28 quotes who is written / told by John.

Related authors: Chuck Jones (Director), Tex Avery (Cartoonist), Ralph Bakshi (Director), Lawrence Taylor (Athlete)

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28 Famous quotes by John Kricfalusi

Small: You buy any book on color theory today, and its just complete poppycock. Everybody comes out of school
"You buy any book on color theory today, and it's just complete poppycock. Everybody comes out of school painting pink, purple and green. The whole damn cartoon industry has pink purple and green on their mind"
Small: Schools are really bad now. Schools are not only bad in reading, writing and arithmetic, theyre worse i
"Schools are really bad now. Schools are not only bad in reading, writing and arithmetic, they're worse in cultural aspects, like in music and art. They don't teach you anything"
Small: George Liquor is really the richest character I have. Im amazed there arent 365 episodes about him on T
"George Liquor is really the richest character I have. I'm amazed there aren't 365 episodes about him on TV already"
Small: Kids cannot follow stories. They dont know what the hell is going on in a cartoon. They like to see fun
"Kids cannot follow stories. They don't know what the hell is going on in a cartoon. They like to see funny visual things happening"
Small: Most cartoons are those colors. They have been for 35 years
"Most cartoons are those colors. They have been for 35 years"
Small: If youre a kid wanting to be a cartoonist today, and youre looking at Family Guy, you dont have to aim
"If you're a kid wanting to be a cartoonist today, and you're looking at Family Guy, you don't have to aim very high"
Small: I don t think cartoons are only for kids, but I think kids will love anything as long as its visually i
"I don t think cartoons are only for kids, but I think kids will love anything as long as it's visually interesting"
Small: The generic Canadian style of illustration is different from the generic American style
"The generic Canadian style of illustration is different from the generic American style"
Small: Joe Barberas s always complaining that he cant get humor into cartoons anymore. Just do it. Youve got y
"Joe Barbera's s always complaining that he can't get humor into cartoons anymore. Just do it. You've got your money. Why do they let the networks run their lives?"
Small: All artists get better with age. The more you draw, the better youre going to get
"All artists get better with age. The more you draw, the better you're going to get"
Small: To make something look real and alive, nothing can be symmetrical because nothing in real life is symme
"To make something look real and alive, nothing can be symmetrical because nothing in real life is symmetrical. You have to make it look organic"
Small: The storyboard department doesnt talk to the layout department, which doesnt talk to the writing depart
"The storyboard department doesn't talk to the layout department, which doesn't talk to the writing department. They're all jealous of each other"
Small: One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is
"One guy records the voices, another guy times the storyboard, another guy times the sheets, one guy is the story editor. All these jobs should be covered by the director"
Small: My style is very strong poses and expressions
"My style is very strong poses and expressions"
Small: I find it very hard to sit down and create an idea or especially a new character on command. Usually my
"I find it very hard to sit down and create an idea or especially a new character on command. Usually my characters evolve by accident out of some story context"
Small: From 20 years of experience hiring artists out of the schools, I know-they get worse every year. Theyre
"From 20 years of experience hiring artists out of the schools, I know-they get worse every year. They're absolutely ridiculously retarded now"
Small: Open a magazine from the 1930s and 40s and look at the illustrations in it. Theres nobody alive that co
"Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then"
Small: Not very many people can draw who are illustrators today
"Not very many people can draw who are illustrators today"
Small: Mel Blanc has been gone for 30 years, even though hes still around
"Mel Blanc has been gone for 30 years, even though he's still around"
Small: I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic
"I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose"
Small: My intended audience was everybody. I just want to make cartoons for human beings
"My intended audience was everybody. I just want to make cartoons for human beings"
Small: In old movies, the cinematography is a thousand times better than anything today. Writing, a thousand t
"In old movies, the cinematography is a thousand times better than anything today. Writing, a thousand times better"
Small: Ill let you in on a secret: I cant stand Jay Ward. I hate being compared to Rocky and Bullwinkle. Its j
"I'll let you in on a secret: I can't stand Jay Ward. I hate being compared to Rocky and Bullwinkle. It's just a different style of humor"
Small: Cartoonists are untrained artists, while illustrators are more trained
"Cartoonists are untrained artists, while illustrators are more trained"
Small: As soon as I found out how compartmentalized the industry was, I realized, Well, no wonder the cartoons
"As soon as I found out how compartmentalized the industry was, I realized, Well, no wonder the cartoons are so bad"
Small: Theres tons of people with talent its the system thats all screwed up
"There's tons of people with talent; it's the system that's all screwed up"
Small: The only character I ever remember actually creating in a flash of inspiration was George Liquor. God p
"The only character I ever remember actually creating in a flash of inspiration was George Liquor. God planted that in my head in an instant"
Small: You can draw Family Guy when youre 10 years old. You dont have to get any better than that to become a
"You can draw Family Guy when you're 10 years old. You don't have to get any better than that to become a professional cartoonist. The standards are extremely low"