Paul Theroux Biography Quotes 15 Report mistakes
| 15 Quotes | |
| Occup. | Novelist |
| From | USA |
| Born | April 10, 1941 Medford, Massachusetts |
| Age | 84 years |
Paul Theroux was born in 1941 in Medford, Massachusetts, and grew up in a New England household that encouraged books and argument. From an early age he gravitated to stories of distance and displacement, interests that would shape a long career as both novelist and travel writer. After high school he pursued literature at university, sharpening his ear for the rhythms of prose and discovering the classic travelers and novelists who would influence him. The impulse to go outward, not only to read about elsewhere but to live there, led him to join the Peace Corps soon after graduation, a decision that set the course of his life.
Africa and the Making of a Writer
Theroux's first sustained period abroad was in central and eastern Africa, where he taught and traveled. He began in Malawi as a young Peace Corps volunteer, and the political volatility of the newly independent country shaped his early understanding of power, idealism, and disillusion. During a period of tension under President Hastings Banda, he was forced to leave Malawi, an abrupt exit that deepened his fascination with the ways governments and individuals try to control stories about themselves. He moved on to teach in Uganda, at a time when Kampala was a magnet for writers and critics passing through. There he met the novelist V. S. Naipaul, whose fierce standards and exacting judgments both challenged and galvanized him. The two men formed a close, complicated friendship that lasted for decades and later unraveled, a relationship Theroux would anatomize in his memoir Sir Vidia's Shadow. Out of these African years came his first mature novels, including Jungle Lovers, which captured the pressures and absurdities of postcolonial life as he had witnessed them.
From Asia to London
After Africa he accepted a post in Singapore, lecturing and writing with increasing discipline. Singapore's portside commerce and nocturnal demi-monde fed his imagination and led to Saint Jack, a novel whose unsentimental gaze at the city's undercurrents later drew a film adaptation by Peter Bogdanovich. By the early 1970s Theroux relocated to London, then a vibrant hub for journalism and publishing. He wrote steadily, supported by magazine assignments and book contracts, and he began to think of the journeys themselves as the structure of books. During these years he also started a family. His sons, the writer and broadcaster Marcel Theroux and the documentarian Louis Theroux, grew up partly in Britain and were regular presences in the household alongside visiting editors and fellow writers.
Breakthrough in Travel Writing
Theroux's reputation transformed with The Great Railway Bazaar, his account of an epic train journey from London through Europe and Asia and back again. Published in the mid-1970s, it combined close observation, candor, and a willingness to be disagreeable when truth demanded it. The book's voice, wry, solitary, curious, redefined contemporary travel writing and encouraged a generation to approach the genre as literature rather than mere guidebook gloss. He followed with further overland odysseys: riding trains through the Americas in The Old Patagonian Express, circling Great Britain's coast on foot and by rail in The Kingdom by the Sea, and crisscrossing China by rail in Riding the Iron Rooster. Decades later he retraced his original route in Ghost Train to the Eastern Star, testing memory against change and asking what time does to places and travelers alike.
Novelist of Displacement and Obsession
Even as the travel books drew acclaim, Theroux continued to publish fiction of ambition and bite. The Mosquito Coast, a novel about a brilliant, domineering inventor who drags his family to the tropics in pursuit of a utopia, became a touchstone of his career. Its portrait of monomania, ingenuity, and ruin traveled well: Peter Weir directed the film adaptation, with Harrison Ford, Helen Mirren, and River Phoenix bringing the characters to the screen, and decades later the story inspired a television series led by his nephew Justin Theroux. He also returned to the dislocations of colonial and postcolonial cities in novels such as The Family Arsenal and explored identity and reinvention in books like My Secret History and My Other Life. In time he set fiction in places he knew intimately, Malawi and Uganda, the Pacific, and later Hawaii, probing how landscapes intensify human desire and delusion.
Later Journeys and Nonfiction Themes
Theroux's later nonfiction often takes the form of long, deliberate traverses of a single region. Dark Star Safari recounts an overland passage from Cairo to Cape Town and the skepticism he developed toward foreign aid that, in his view, can sap initiative while failing to solve structural problems. The Happy Isles of Oceania came out of a solitary paddling voyage across the Pacific, mixing lyric seascapes with meditations on risk and solitude. In the Americas he chose depth over distance in Deep South, driving back roads and lingering in small towns to listen rather than to declare. He pressed into Mexico's borderlands and interior in On the Plain of Snakes, testing his belief that walking and conversation reveal more than quick judgments. Across these books he returns to recurring ideas: the dignity of curiosity, the limits of altruism, the compromises of modernity, and the traveler's moral obligation to describe things as they are, not as they ought to be.
Working Methods and Voice
Theroux is a patient note-taker, often traveling alone with a small bag, a notebook, and the determination to go by slow means, train, bus, on foot, so that stories can accumulate at the pace of the landscape. He listens more than he lectures, and he is unafraid to put his own irritations and missteps on the page, a candor that has drawn both admiration and controversy. Editors in London and New York prized his dependability and the clarity of his prose, and he became a steady presence in journals and newspapers, writing essays and reviews that could be as curt as they were precise.
Family and Personal Life
Theroux's family has long been part of his literary context. His brother Alexander Theroux is a novelist known for baroque style, and his brother Peter Theroux is a prominent translator. In a later phase of his life, Paul Theroux settled in Hawaii, where the Pacific's scale and the nearness of Asia matched his interests. His adult sons, Marcel and Louis, forged their own public careers: Marcel in fiction and broadcasting, Louis in documentary film, often examining the kinds of fringes and fixations that preoccupy their father's characters. Collaborations and conversations with figures from other arts, including directors like Peter Weir and Peter Bogdanovich, threaded through his middle decades and kept his work in active dialogue with cinema and television.
Recognition and Legacy
Over a long career Theroux has earned significant honors for both fiction and nonfiction, with The Mosquito Coast receiving the James Tait Black Memorial Prize among other distinctions. Yet his most durable achievement may be the reinvigoration of the travel book as a literary form that can hold skepticism, humor, reportage, and memory in a single voice. He influenced contemporaries and successors who saw in his work a permission to be exacting and unsentimental about the world. He also remained willing to revisit his own past places, returning to former haunts in Africa for The Lower River, or to earlier routes in later books, accepting that the traveler changes even when the map does not.
Continuing Work
Theroux has kept writing into later life with the same restlessness that fueled his first journeys. He uses novels like Hotel Honolulu and Under the Wave at Waimea to probe the psychic weather of his adopted home in the Pacific, and he continues to assemble essays and reflections that distill lessons from decades on the move. Through it all, the people around him, family, editors, fellow writers like V. S. Naipaul, and collaborators in film, have served as foils, provocations, and sometimes adversaries, sharpening a voice that has remained unmistakably his.
Our collection contains 15 quotes who is written by Paul, under the main topics: Witty One-Liners - Writing - Live in the Moment - Honesty & Integrity - Sarcastic.
Paul Theroux Famous Works
- 2013 The Last Train to Zona Verde (Non-fiction)
- 2009 My Secret History (Novel)
- 2002 Dark Star Safari (Non-fiction)
- 2001 Hotel Honolulu (Novel)
- 1997 Kowloon Tong (Novel)
- 1995 The Pillars of Hercules (Non-fiction)
- 1992 The Happy Isles of Oceania (Non-fiction)
- 1988 Riding the Iron Rooster (Non-fiction)
- 1983 Kingdom by the Sea (Non-fiction)
- 1981 The Mosquito Coast (Novel)
- 1979 The Old Patagonian Express (Non-fiction)
- 1976 The Family Arsenal (Novel)
- 1975 The Great Railway Bazaar (Non-fiction)
- 1973 Saint Jack (Novel)