Big Eyes (2014)

Big Eyes Poster

In the late 1950s and early '60s, artist Walter Keane achieves unbelievable fame and success with portraits of saucer-eyed waifs. However, no one realizes that his wife, Margaret, is the real painter behind the brush. Although Margaret is horrified to learn that Walter is passing off her work as his own, she is too meek to protest too loudly. It isn't until the Keanes' marriage comes to an end and a lawsuit follows that the truth finally comes to light.

Film Overview
"Big Eyes" is a 2014 biographical drama directed by Tim Burton and composed by Scott Alexander and Larry Karaszewski. The film stars Amy Adams as Margaret Keane, a painter known for developing distinctive artworks including subjects with unusually big eyes, and Christoph Waltz as Walter Keane, her hubby, who took credit for her work. The movie checks out the characteristics of their relationship, the true authorship of the iconic 'big eyes' paintings, and Margaret's battle for acknowledgment and independence.

Plot and Narrative
The movie begins in 1950s San Francisco, where Margaret, a single mother, fulfills Walter Keane at an art fair. They establish a love resulting in their swift marital relationship. Walter begins selling their paintings, and when he notifications the appeal of Margaret's 'big eyed' kids paintings, he begins to sell them under his own name. He encourages Margaret to keep her authorship a trick, arguing that the public would not accept a female artist. The images end up being a cultural feeling, and Walter flourishes on the fame and fortune that comes with it.

Margaret, however, deals with moral and individual effects from their trick, causing her anxiety and isolation. She starts questioning their arrangement, believing Walter of control. Meanwhile, Walter's increasing paranoia and managing behavior frighten Margaret and her daughter, feeling caught under Walter's suffocating control.

Margaret's Revelation and Legal Battle
Margaret eventually leaves Walter and transfers to Hawaii. Years later on, she collects nerve and exposes that she is the real developer of the 'big eyes' paintings. Nevertheless, Walter emphatically rejects her claims, insisting he is the original artist. The controversy culminates in a court case where both parties are asked to produce a 'big eye' painting. Walter, who had been feigning knowledge of painting all along, is unable to complete his work, whereas Margaret produces a flawless piece, publicly confirming her as the real artist.

Artistic Recognition and Final Resolution
Margaret finally receives the recognition she is worthy of along with her moral and legal victory over Walter. Her ex-husband is penalized for his lies and deceit, and she cemented as the genuine author of the 'big eyes' artwork. The film closes with Margaret continuing her operate in Hawaii, lastly devoid of Walter's control and lies, and verified in her rightful location as an artist.

Important Reception
"Big Eyes" made appreciation for Amy Adams' powerful efficiency, with the actress taking home a Golden Globe for her role. Critics likewise noted the film's expedition of gender characteristics, art, identity, and the rate of popularity. Contrary to the majority of his gothic and fantastical designs, Tim Burton's technique to this biographical story was hailed as an unique and wonderful departure, offering a more grounded and expressive viewpoint. Nevertheless, some reviews pointed out an irregular tone and lack of subtlety in Christoph Waltz's performance as Walter.

Conclusion
In conclusion, "Big Eyes" is an engaging drama that analyzes an artist's journey from exploitation to self-assertion. It tells an effective story of recovering identity and artistry in the face of deceit and manipulation, anchored by captivating efficiencies and an expressive story. Through Margaret Keane's story, the film provides a striking commentary on art, acknowledgment, and the gender dynamics of the 20th century.

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