Scream and Scream Again: A History of the Slasher Film (2000)

Introduction
"Shout and Shriek Once Again: A History of the Slasher Movie" is a documentary film launched in 2000, exploring the evolution and cultural significance of the slasher film category. It explores the origins, increase, and impact of these horror movies, highlighting crucial motion pictures and the sociopolitical contexts that influenced their development.

The Birth of the Slasher Film
The documentary starts by tracing the origins of the slasher film category back to the 1960s and 1970s. It talks about early prominent films such as "Psycho" (1960) by Alfred Hitchcock and "Peeping Tom" (1960) by Michael Powell. These movies prepared for the psychological scary elements and voyeuristic themes that would end up being staples in slasher movies. The film likewise referrals "The Texas Chainsaw Massacre" (1974) by Tobe Hooper and "Black Christmas" (1974) by Bob Clark as pioneering works that presented the concept of the masked or unseen killer.

The Golden Age of Slashers
The documentary highlights the late 1970s and 1980s as the golden era of slasher films, with John Carpenter's "Halloween" (1978) marking a turning point in the category. "Halloween" set lots of conventions, such as the final woman trope, point-of-view shots from the killer's perspective, and iconic scary music scores. The success of "Halloween" resulted in a rise in slasher movies throughout the 1980s, including notable discusses like "Friday the 13th" (1980), "A Nightmare on Elm Street" (1984), and "Prom Night" (1980). The documentary illustrates how these films capitalized on formulaic plots featuring a mystical killer targeting teens, frequently weaving in themes of morality and punishment.

Cultural and Societal Influences
"Scream and Scream Again" discusses how slasher films showed and responded to dominating cultural and social stress and anxieties. These movies frequently mirrored the fears of their times, such as concerns over younger rebellion, sexuality, and the breakdown of conventional societal norms. The documentary uses insights into how the genre ended up being a platform for checking out gender functions, with the final girl character subverting conventional gender expectations by enduring and defeating the killer. Interviews with filmmakers and critics clarify the genre's reception and impact on audiences, emphasizing its capability to blend entertainment with a subtle review of cultural norms.

The Decline and Revival
The film resolves the decline of the slasher genre in the late 1980s and early 1990s, mostly due to market saturation and diminishing creativity. However, it also chronicles the revival of the genre in the mid-1990s with movies like "Scream" (1996) by Wes Craven. "Scream" revitalized the category by introducing self-referential humor and a more advanced narrative technique. This meta-commentary on slasher tropes revived audience interest and resulted in a new age of movies that both welcomed and parodied traditional slasher conventions.

Conclusion
"Scream and Scream Again: A History of the Slasher Film" offers an extensive introduction of the trajectory of slasher movies, from their creation to their modern-day resurgence. Through a mix of movie clips, interviews, and crucial analysis, the documentary provides insights into the long-lasting appeal and cultural effect of the slasher category. It highlights how these films have actually continuously adapted to reflect social changes, ensuring their location in the horror film lexicon.

Top Cast

  • Mark Kermode (small)
    Mark Kermode
    Self - Presenter
  • Neve Campbell (small)
    Neve Campbell
    Self
  • John Carpenter (small)
    John Carpenter
    Self
  • Wes Craven (small)
    Wes Craven
    Self
  • Sean S. Cunningham (small)
    Sean S. Cunningham
    Self
  • Robert Englund (small)
    Robert Englund
    Self
  • Gunnar Hansen (small)
    Gunnar Hansen
    Self
  • Tobe Hooper (small)
    Tobe Hooper
    Self
  • William Lustig (small)
    William Lustig
    Self
  • Maitland McDonagh
    Self
  • John McNaughton (small)
    John McNaughton
    Self