Album: No Resemblance Whatsoever

Summary:
"No Resemblance Whatsoever" is a collaborative studio album released in 1995 by singer-songwriters Dan Fogelberg and Tim Weisberg. The duo was applauded for their harmonic method, and the album is developed to interest fans of both pop music and jazz. In basic, this record is a great mix of poetic lyrics and melodic tunes, showcasing the best qualities of both artists.

Cooperation and Background:
Dan Fogelberg and Tim Weisberg initially worked together in 1978 on the album "Twin Sons of Different Mothers", an adult modern and soft rock project, which was a business success at the time. This revived partnership resulted in "No Resemblance Whatsoever", which focused on combining Fogelberg's songwriting and vocals with Weisberg's jazz flute.

Fogelberg, a reputable American artist, and songwriter was extensively acknowledged for his tender ballads and thought-provoking lyrics. On the other hand, Weisberg is a skilled flutist whose ability in playing different flutes and saxophones gave the album a special noise and depth.

Album Composition:
"No Resemblance Whatsoever" consists of 10 tracks, some composed by Dan Fogelberg, others by Tim Weisberg, and a couple of covers. The album opens with the touching ballad "Forefathers", a stunning musical canvas where Fogelberg's poignant lyrics commemorate the lives and experiences of Native Americans. Weisberg contributes to this emotional expedition with his airy and sweet-sounding flute.

Both "The Nature of The Game" and "She Don't Look Back" showcase the duo's propensity for developing meaningful important pieces accompanied by vibrant vocals. In these tracks, Weisberg's flute links perfectly with the resonating guitar strings, electrical piano, and drums. This powerful synergy, in addition to the memorable choruses and thorough expedition of the human condition, make these tunes stand apart.

Another track, "County Clare", is a musical tribute to the stunning Irish countryside, enhanced by the inclusion of the traditional instrument, the tin whistle. This folk-infused piece blends perfectly with the overall album's atmosphere of tranquility and fond memories.

"Isle Au Haut" is an important piece composed by Weisberg, featuring a fragile interaction in between flutes, guitars, and keyboards. The relaxing consistency offers a natural segue into "Lovers in a Dangerous Time", a cover of Bruce Cockburn's initial. This performance preserves the original's psychological seriousness but adds a fresh layer of magic, thanks to the combined musical stylings of Fogelberg and Weisberg.

The album's two covers, "Street Café" and "At Last", display the artists' ability to reinterpret existing tunes with their unique expressions. "Street Café" is an imaginative take on the British pop design, while "At Last" brings new life to the traditional jazz requirement with its lovely interplay of vocals, flute, and piano.

Conclusion:
"No Resemblance Whatsoever" is a serene journey through the musical synergy of 2 skilled artists. Fans of both Dan Fogelberg and Tim Weisberg will enjoy this album, which provides a perfectly well balanced mixture of touching ballads, instrumentals, and melodic tracks. The album is a testament to the powerful bond in between 2 artists who come together to produce a harmonious mix of pop and jazz that has actually withstood through the years.