"A bachelor's life is no life for a single man"
About this Quote
A punchline that pretends to be plain wisdom, Samuel Goldwyn's line is less a Hallmark sentiment than a producer's instinct for contradiction. "A bachelor's life is no life for a single man" folds in on itself like a studio note: the premise ("bachelor") and the conclusion ("single man") should match, yet Goldwyn insists they're different species. The humor lands because the sentence is grammatically tidy while logically skewed, a neat little paradox that forces you to resolve it emotionally, not rationally.
Goldwyn, the immigrant mogul who helped professionalize Hollywood, understood that audiences crave a moral even when the story is messy. Here the moral is a wink at postwar America's domestic script: the bachelor is a type - a brand of freedom, swagger, and sanctioned indulgence - but the "single man" is framed as an unfinished project. The subtext isn't just pro-marriage; it's pro-plot. A bachelor can coast. A single man, in this framing, lacks stakes, and without stakes you don't have a picture, you have dailies.
There's also a self-protective cynicism under the gag. Hollywood sold romance as destiny while running on transactional relationships, power, and image management. Goldwyn's line flatters conventional virtue while smuggling in industry realism: you can live alone, sure, but it won't count as "a life" unless it reads as legible to others. The joke is that the verdict comes from society - and the producer knows exactly how to package society's verdict into something quotable.
Goldwyn, the immigrant mogul who helped professionalize Hollywood, understood that audiences crave a moral even when the story is messy. Here the moral is a wink at postwar America's domestic script: the bachelor is a type - a brand of freedom, swagger, and sanctioned indulgence - but the "single man" is framed as an unfinished project. The subtext isn't just pro-marriage; it's pro-plot. A bachelor can coast. A single man, in this framing, lacks stakes, and without stakes you don't have a picture, you have dailies.
There's also a self-protective cynicism under the gag. Hollywood sold romance as destiny while running on transactional relationships, power, and image management. Goldwyn's line flatters conventional virtue while smuggling in industry realism: you can live alone, sure, but it won't count as "a life" unless it reads as legible to others. The joke is that the verdict comes from society - and the producer knows exactly how to package society's verdict into something quotable.
Quote Details
| Topic | Marriage |
|---|---|
| Source | Help us find the source |
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