"A composite is a euphemism for a lie. It's disorderly. It's dishonest and it's not journalism"
About this Quote
Friendly’s line lands like a slap because it refuses the cozy middle ground where media ethics often go to die. Calling a composite “a euphemism for a lie” is more than semantic nitpicking; it’s an accusation that the industry has invented a polite word to launder deceit. “Composite” sounds technical, even artistic, the kind of term that implies craft rather than con. Friendly yanks the mask off: if you stitch together quotes, scenes, or identities to create a cleaner narrative, you haven’t clarified reality - you’ve manufactured it.
The repetition is doing deliberate work. “It’s disorderly. It’s dishonest…” reads like a prosecutor’s bill of particulars, short clauses meant to close escape hatches. “Disorderly” is a smart, almost surprising choice: he’s not only condemning the morality of composites, he’s challenging the common justification that they impose order on messy facts. Friendly argues the opposite: composites introduce a different kind of mess, a confusion between what happened and what would make a better story.
Context matters: Friendly came out of the mid-century broadcast news world that built its legitimacy on a hard-won distinction between reporting and entertainment. In that ecosystem, trust was the product. His final phrase, “and it’s not journalism,” isn’t a description; it’s an excommunication. He’s drawing a bright line because he understands how quickly audiences learn to discount everything once they catch you “compositing” the truth for their convenience.
The repetition is doing deliberate work. “It’s disorderly. It’s dishonest…” reads like a prosecutor’s bill of particulars, short clauses meant to close escape hatches. “Disorderly” is a smart, almost surprising choice: he’s not only condemning the morality of composites, he’s challenging the common justification that they impose order on messy facts. Friendly argues the opposite: composites introduce a different kind of mess, a confusion between what happened and what would make a better story.
Context matters: Friendly came out of the mid-century broadcast news world that built its legitimacy on a hard-won distinction between reporting and entertainment. In that ecosystem, trust was the product. His final phrase, “and it’s not journalism,” isn’t a description; it’s an excommunication. He’s drawing a bright line because he understands how quickly audiences learn to discount everything once they catch you “compositing” the truth for their convenience.
Quote Details
| Topic | Honesty & Integrity |
|---|
More Quotes by Fred
Add to List


