"A few of these interviews have gone slightly awry, because every now and again there has been the odd conflict of interest between interviews because of the Iron Maiden record, and I am a bit long-winded"
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The charm here is that Dickinson lets the mess show. He’s not performing the polished rock-star soundbite; he’s performing the logistical reality of being Bruce Dickinson: a working musician whose life is basically an air-traffic-control schedule of commitments, egos, and overlapping agendas. “Gone slightly awry” is classic British understatement, a way to downplay what, in PR terms, is a minor crisis: interviews that are supposed to be about one thing get hijacked by another, because Iron Maiden is the gravitational center everything orbits.
The key phrase is “odd conflict of interest,” which makes his own divided loyalties sound like a corporate compliance issue. That’s funny, but it’s also a subtle admission that fame creates competing narratives. Journalists want a clean lane: promote the record, tell the story, deliver the quote. Dickinson is saying that lane doesn’t exist, because the brand is too big and the person behind it has too many roles. The “because of the Iron Maiden record” aside is the tell: the record isn’t just art; it’s an obligation that distorts the supposedly casual intimacy of an interview.
Then he tags himself as “a bit long-winded,” preemptively disarming criticism. It’s self-deprecation as damage control, and also as authenticity: he’s insisting the rambles are human, not calculated. In a culture that rewards brevity and “content,” Dickinson’s admission frames length as a kind of integrity - the refusal to compress a complicated life into a neat, monetizable anecdote.
The key phrase is “odd conflict of interest,” which makes his own divided loyalties sound like a corporate compliance issue. That’s funny, but it’s also a subtle admission that fame creates competing narratives. Journalists want a clean lane: promote the record, tell the story, deliver the quote. Dickinson is saying that lane doesn’t exist, because the brand is too big and the person behind it has too many roles. The “because of the Iron Maiden record” aside is the tell: the record isn’t just art; it’s an obligation that distorts the supposedly casual intimacy of an interview.
Then he tags himself as “a bit long-winded,” preemptively disarming criticism. It’s self-deprecation as damage control, and also as authenticity: he’s insisting the rambles are human, not calculated. In a culture that rewards brevity and “content,” Dickinson’s admission frames length as a kind of integrity - the refusal to compress a complicated life into a neat, monetizable anecdote.
Quote Details
| Topic | Music |
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