"A flow of words is a sure sign of duplicity"
About this Quote
Balzac’s jab lands because it flips a cozy assumption: that eloquence equals sincerity. For a novelist who made his name anatomizing bourgeois ambition and social performance, “a flow of words” isn’t charming verbosity; it’s camouflage. The line is less anti-language than anti-theatricality. When someone can’t stop talking, Balzac suggests, they’re not revealing themselves - they’re managing you.
The phrasing does quiet rhetorical work. “Flow” sounds natural, even organic, like water finding its course. That’s precisely the trap: the speaker’s ease is what makes the lie feel plausible. Then comes “sure sign,” a prosecutor’s certainty, as if Balzac has seen the pattern often enough to treat it as evidence. He’s not describing an isolated fib; he’s pointing to duplicity as a practiced social technology, the polished skill of saying just enough, and then much more, to blur motives.
Context matters: Balzac wrote in a France remade by revolution, empire, and restoration - a society where class position could be climbed, faked, defended, and where reputations were manufactured in salons, courts, and drawing rooms. Talk was currency. The more fluidly you spent it, the easier it became to pass as respectable, virtuous, indispensable.
The subtext isn’t “silence is truth.” It’s that excess speech often functions as distraction: overwhelm the listener, control the pace, bury the crucial detail under a pleasing torrent. Balzac, ever the realist, is warning that the smoothest narrators in life are frequently editing the plot.
The phrasing does quiet rhetorical work. “Flow” sounds natural, even organic, like water finding its course. That’s precisely the trap: the speaker’s ease is what makes the lie feel plausible. Then comes “sure sign,” a prosecutor’s certainty, as if Balzac has seen the pattern often enough to treat it as evidence. He’s not describing an isolated fib; he’s pointing to duplicity as a practiced social technology, the polished skill of saying just enough, and then much more, to blur motives.
Context matters: Balzac wrote in a France remade by revolution, empire, and restoration - a society where class position could be climbed, faked, defended, and where reputations were manufactured in salons, courts, and drawing rooms. Talk was currency. The more fluidly you spent it, the easier it became to pass as respectable, virtuous, indispensable.
The subtext isn’t “silence is truth.” It’s that excess speech often functions as distraction: overwhelm the listener, control the pace, bury the crucial detail under a pleasing torrent. Balzac, ever the realist, is warning that the smoothest narrators in life are frequently editing the plot.
Quote Details
| Topic | Honesty & Integrity |
|---|---|
| Source | Help us find the source |
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