"A good listener is not only popular everywhere, but after a while, he knows something"
About this Quote
Mizner’s line is a sleight-of-hand: it opens like a bit of social advice and ends as an indictment of the people doing the talking. “Popular everywhere” frames listening as a kind of cheat code for charm, the low-effort glamour of letting others star in their own monologues. The joke is that this isn’t altruism; it’s strategy. In Mizner’s world - Broadway, gossip, dealmaking, and self-mythology - attention is currency, and the best way to seem magnetic is to be a mirror.
Then comes the pivot: “after a while, he knows something.” That “something” is deliciously nonspecific, as if knowledge is an accidental byproduct of basic courtesy. Mizner is needling a culture that confuses talk with substance. The listener learns because everyone else is too busy selling themselves to notice what they’re revealing: their insecurities, their motives, their weaknesses, their tells. Listening becomes intelligence work.
The gendered “he” isn’t incidental either; it reflects a period when public life was coded male, and “good listener” reads as an unglamorous role, almost suspiciously passive. Mizner rehabilitates it by attaching payoff: social access now, information later. It’s a maxim for the backstage operator, not the star.
Underneath the wit is a cold observation about status. People reward you for making them feel interesting, and the reward comes with data. Mizner’s cynicism lands because it’s hard to unsee: most rooms are full of talkers auditioning, while the listener quietly collects the plot.
Then comes the pivot: “after a while, he knows something.” That “something” is deliciously nonspecific, as if knowledge is an accidental byproduct of basic courtesy. Mizner is needling a culture that confuses talk with substance. The listener learns because everyone else is too busy selling themselves to notice what they’re revealing: their insecurities, their motives, their weaknesses, their tells. Listening becomes intelligence work.
The gendered “he” isn’t incidental either; it reflects a period when public life was coded male, and “good listener” reads as an unglamorous role, almost suspiciously passive. Mizner rehabilitates it by attaching payoff: social access now, information later. It’s a maxim for the backstage operator, not the star.
Underneath the wit is a cold observation about status. People reward you for making them feel interesting, and the reward comes with data. Mizner’s cynicism lands because it’s hard to unsee: most rooms are full of talkers auditioning, while the listener quietly collects the plot.
Quote Details
| Topic | Knowledge |
|---|---|
| Source | Help us find the source |
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