"A good listener truly wants to know the speaker"
About this Quote
In an era when “listening” often means waiting for your turn to talk, John Powell’s line quietly raises the bar: good listening isn’t a technique, it’s a motive. “Truly wants” is doing the heavy lifting. It implies appetite, not obligation; curiosity, not politeness. Powell doesn’t praise the listener’s patience or intelligence. He praises desire. That shift turns listening from a social skill into an ethical stance: the speaker isn’t a problem to manage or a prompt to react to, but a person to encounter.
The subtext is slightly accusatory. Most of us perform attention because it’s part of being functional - nod, mirror, summarize, move on. Powell suggests those gestures can be counterfeit if they’re not backed by a genuine wish to know the other. “Know” also hints at depth: not just the facts of what someone is saying, but the interior weather behind it - fears, pride, grief, longing. It’s a reminder that conversation is often a covert negotiation for recognition.
Coming from a composer, the quote reads like a metaphor for musical discipline. In ensemble work, you can’t dominate and still make music; you have to listen for phrasing, timing, and what the other line is trying to become. Great musicians don’t merely hear notes - they track intention. Powell smuggles that sensibility into everyday life: listening as accompaniment rather than competition, where the goal isn’t to win the exchange but to understand the human shape inside the words.
The subtext is slightly accusatory. Most of us perform attention because it’s part of being functional - nod, mirror, summarize, move on. Powell suggests those gestures can be counterfeit if they’re not backed by a genuine wish to know the other. “Know” also hints at depth: not just the facts of what someone is saying, but the interior weather behind it - fears, pride, grief, longing. It’s a reminder that conversation is often a covert negotiation for recognition.
Coming from a composer, the quote reads like a metaphor for musical discipline. In ensemble work, you can’t dominate and still make music; you have to listen for phrasing, timing, and what the other line is trying to become. Great musicians don’t merely hear notes - they track intention. Powell smuggles that sensibility into everyday life: listening as accompaniment rather than competition, where the goal isn’t to win the exchange but to understand the human shape inside the words.
Quote Details
| Topic | Respect |
|---|
More Quotes by John
Add to List






