"A good painting to me has always been like a friend. It keeps me company, comforts and inspires"
About this Quote
Hedy Lamarr frames art with the plainspoken intimacy of someone who spent a lifetime being looked at more than listened to. Calling a painting "like a friend" flips the usual power dynamic: instead of art as an object to be judged, it becomes a subject that shares a room with you. The phrasing is deliberately domestic - "keeps me company" is what you say about a person, or a pet, or a record you play when the silence gets too loud. In Lamarr's mouth, it reads as a small rebellion against the public gaze that defined her fame. A painting doesn’t demand charm, doesn’t misread you, doesn’t turn your interior life into gossip.
The three verbs do the heavy lifting. "Company" addresses loneliness, "comforts" suggests hurt, and "inspires" insists on forward motion. She’s sketching an emotional workflow: art as presence, then repair, then propulsion. It’s also a quiet statement about control. A star’s world is crowded with handlers, scripts, and expectations; a painting offers a private relationship on terms you set. You can return to it whenever you want, and it returns the same way - steady, nonjudgmental, resilient.
Context matters here because Lamarr wasn’t only an actress; she was also an inventor whose intellect was routinely minimized. This line subtly defends inner life as legitimate work. The painting becomes a counterpublic: a space where she doesn’t have to perform, only to feel and think.
The three verbs do the heavy lifting. "Company" addresses loneliness, "comforts" suggests hurt, and "inspires" insists on forward motion. She’s sketching an emotional workflow: art as presence, then repair, then propulsion. It’s also a quiet statement about control. A star’s world is crowded with handlers, scripts, and expectations; a painting offers a private relationship on terms you set. You can return to it whenever you want, and it returns the same way - steady, nonjudgmental, resilient.
Context matters here because Lamarr wasn’t only an actress; she was also an inventor whose intellect was routinely minimized. This line subtly defends inner life as legitimate work. The painting becomes a counterpublic: a space where she doesn’t have to perform, only to feel and think.
Quote Details
| Topic | Art |
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