"A grave blockhead should always go about with a lively one - they show one another off to the best advantage"
About this Quote
Hazlitt has a talent for turning social observation into a small act of cruelty that feels, uncomfortably, true. A "grave blockhead" is not just dull; he is solemnly dull, the kind of person who treats his own seriousness as proof of depth. Pair him with a "lively one" and, suddenly, both become legible. The wit looks sharper against the heavy background; the heavy figure looks more "respectable" beside the sparkle. It is an aesthetic of contrast, but also a strategy of survival in polite society: you borrow someone else's energy or authority the way you borrow a lamp to make your own face look better.
The line’s sting is in its implied cynicism about companionship. Hazlitt isn’t describing friendship as mutual understanding; he’s describing it as mutual marketing. "They show one another off" reduces human pairing to display, like objects arranged to flatter each other’s lines. The best advantage is not moral improvement; it’s social optics. He’s also poking at a familiar cultural arrangement: the comedian with the straight man, the charismatic talker with the taciturn "serious" type. Each role depends on the other to land.
Context matters here. Hazlitt, a Romantic-era critic who spent his life around writers, salons, and public disputation, understood that personality could function like rhetoric. In a world where reputation was currency and conversation a kind of sport, pairing wasn’t accidental. It was casting. The joke is that the blockhead thinks he’s the lead. Hazlitt knows he’s the lighting.
The line’s sting is in its implied cynicism about companionship. Hazlitt isn’t describing friendship as mutual understanding; he’s describing it as mutual marketing. "They show one another off" reduces human pairing to display, like objects arranged to flatter each other’s lines. The best advantage is not moral improvement; it’s social optics. He’s also poking at a familiar cultural arrangement: the comedian with the straight man, the charismatic talker with the taciturn "serious" type. Each role depends on the other to land.
Context matters here. Hazlitt, a Romantic-era critic who spent his life around writers, salons, and public disputation, understood that personality could function like rhetoric. In a world where reputation was currency and conversation a kind of sport, pairing wasn’t accidental. It was casting. The joke is that the blockhead thinks he’s the lead. Hazlitt knows he’s the lighting.
Quote Details
| Topic | Witty One-Liners |
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