"A great pleasure in life is doing what people say you cannot do"
About this Quote
Bagehot’s line flatters the rebel in all of us, but it’s not a syrupy “believe in yourself” slogan. It’s a sharp observation about how power polices possibility. “People say you cannot” is doing a lot of work: it hints that limits are often social verdicts disguised as realism. The pleasure he’s naming isn’t just success; it’s the moment you expose someone else’s certainty as fragile, self-interested, or lazy.
As a Victorian public intellectual and editor of The Economist, Bagehot lived inside institutions that ran on gatekeeping: class, credentials, and an unwritten rulebook about who was allowed to speak with authority. In that world, “cannot” often meant “should not” or “someone like you doesn’t.” The quote’s intent is quietly combative: it recasts obstruction as fuel and turns disbelief into a kind of external soundtrack for ambition. It also implies a tactical truth about human motivation: we’re not always driven by pure vision; we’re driven by friction, by the itch to contradict a smug chorus.
The subtext is almost cynical in its realism. Approval is a weak drug; opposition is a stronger one. Bagehot is describing a pleasure that’s partly vindication, partly revenge, and partly the liberation of stepping outside consensus. It works because it admits something impolite: achievement can be sweetest not when it’s applauded, but when it proves the doorman wrong.
As a Victorian public intellectual and editor of The Economist, Bagehot lived inside institutions that ran on gatekeeping: class, credentials, and an unwritten rulebook about who was allowed to speak with authority. In that world, “cannot” often meant “should not” or “someone like you doesn’t.” The quote’s intent is quietly combative: it recasts obstruction as fuel and turns disbelief into a kind of external soundtrack for ambition. It also implies a tactical truth about human motivation: we’re not always driven by pure vision; we’re driven by friction, by the itch to contradict a smug chorus.
The subtext is almost cynical in its realism. Approval is a weak drug; opposition is a stronger one. Bagehot is describing a pleasure that’s partly vindication, partly revenge, and partly the liberation of stepping outside consensus. It works because it admits something impolite: achievement can be sweetest not when it’s applauded, but when it proves the doorman wrong.
Quote Details
| Topic | Motivational |
|---|---|
| Source | Help us find the source |
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