"A hard beginning maketh a good ending"
About this Quote
“A hard beginning maketh a good ending” sells struggle as strategy, not tragedy. Coming from John Heywood - a Tudor dramatist and court entertainer - the line isn’t a private diary sentiment; it’s a public-use proverb, built to travel. The archaic “maketh” gives it the authority of scripture without the inconvenience of doctrine, turning a practical observation into something that sounds inevitable.
The intent is managerial before it’s motivational: discipline up front prevents chaos later. In a world of guild apprenticeships, arranged marriages, and political careers that could sour overnight, “hard beginning” signals submission to a process you don’t fully control. Start by swallowing the unpleasant medicine - labor, restraint, obedience - and you buy the right to a cleaner finish. That’s a comforting promise in a society where endings (inheritance, reputation, even survival at court) mattered more than self-expression.
The subtext is more ambivalent than the clean symmetry suggests. It flatters the listener’s endurance while quietly legitimizing systems that demand early suffering as proof of worth. If the ending isn’t good, the logic implies you didn’t begin hard enough. That makes the proverb a tidy tool for authority: parents, masters, and monarchs can all wrap pressure in moral elegance.
Heywood wrote in an age when drama and politics shared a stage, and prudence was a performance. The line works because it’s reversible and rhythmic: it doesn’t describe reality so much as instruct you how to narrate it, converting pain into plot.
The intent is managerial before it’s motivational: discipline up front prevents chaos later. In a world of guild apprenticeships, arranged marriages, and political careers that could sour overnight, “hard beginning” signals submission to a process you don’t fully control. Start by swallowing the unpleasant medicine - labor, restraint, obedience - and you buy the right to a cleaner finish. That’s a comforting promise in a society where endings (inheritance, reputation, even survival at court) mattered more than self-expression.
The subtext is more ambivalent than the clean symmetry suggests. It flatters the listener’s endurance while quietly legitimizing systems that demand early suffering as proof of worth. If the ending isn’t good, the logic implies you didn’t begin hard enough. That makes the proverb a tidy tool for authority: parents, masters, and monarchs can all wrap pressure in moral elegance.
Heywood wrote in an age when drama and politics shared a stage, and prudence was a performance. The line works because it’s reversible and rhythmic: it doesn’t describe reality so much as instruct you how to narrate it, converting pain into plot.
Quote Details
| Topic | Perseverance |
|---|---|
| Source | John Heywood, A dialogue conteinyng the nomber in effect of all the proouerbes in the Englishe tongue (1546) — proverb: "A hard beginning maketh a good ending". |
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