"A lot of people put all that stuff on a pedestal, and they won't touch it. But I don't think that's the reason they did that. I think they played that stuff out of pure joy"
About this Quote
There’s a quiet act of rebellion in Setzer’s refusal to genuflect. He’s talking about “that stuff” the way musicians often talk about canonized genres - early rockabilly, swing, the sacred record collection sealed behind museum glass. The pedestal is a trap: once a sound becomes heritage, it starts demanding reverence instead of participation. You don’t play it, you curate it. You don’t risk messing it up, because the point becomes preservation, not pleasure.
Setzer’s intent is almost disarmingly practical: demystify the old masters by re-attaching them to the human motive that made the music in the first place. His subtext is aimed at two modern anxieties. One is gatekeeping: the idea that certain styles belong to experts and historians, not to working bands with loud amps and sweaty shirts. The other is nostalgia-as-aesthetic, where retro becomes a brand you purchase rather than a feeling you generate.
What makes the quote work is its pivot from accusation to empathy. He grants that people elevate the music because they love it, then counters that love got mistranslated into distance. “Pure joy” is a loaded phrase here: it argues that authenticity isn’t about getting every lick “right,” it’s about recovering the conditions of play - spontaneity, community, motion. Coming from Setzer, a musician who built a career reviving vintage sounds without treating them as antiques, it’s also a manifesto: the past isn’t a shrine. It’s a dance floor.
Setzer’s intent is almost disarmingly practical: demystify the old masters by re-attaching them to the human motive that made the music in the first place. His subtext is aimed at two modern anxieties. One is gatekeeping: the idea that certain styles belong to experts and historians, not to working bands with loud amps and sweaty shirts. The other is nostalgia-as-aesthetic, where retro becomes a brand you purchase rather than a feeling you generate.
What makes the quote work is its pivot from accusation to empathy. He grants that people elevate the music because they love it, then counters that love got mistranslated into distance. “Pure joy” is a loaded phrase here: it argues that authenticity isn’t about getting every lick “right,” it’s about recovering the conditions of play - spontaneity, community, motion. Coming from Setzer, a musician who built a career reviving vintage sounds without treating them as antiques, it’s also a manifesto: the past isn’t a shrine. It’s a dance floor.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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