"A man has only one way of being immortal on earth: he has to forget he is a mortal"
About this Quote
Immortality, for Giraudoux, is less a cosmic reward than a psychological trick: you don’t outlive death by defeating it, you outlive it by refusing to give it narrative control. The line hinges on a sly paradox. To be “immortal on earth” is already a cheat phrase, a terrestrial substitute for the metaphysical promise. Giraudoux’s move is to make that substitute brutally practical: the only route is forgetfulness, the cultivated amnesia that lets you act as if time can’t touch you.
Coming from a dramatist, this isn’t an abstract maxim; it’s stagecraft. Characters become “immortal” to an audience precisely when they behave with a kind of reckless present-tense certainty, unburdened by the accounting of endings. Forgetting mortality is a performance choice: it produces bravery, vanity, ambition, romance. It also produces folly. The subtext is double-edged: the same denial that fuels creation and heroism also fuels war, cruelty, and the casual waste of other people’s finite lives.
Context matters. Giraudoux wrote in a Europe rattled by mechanized slaughter and the approach of another catastrophe. In that climate, “forgetting” can read as both survival strategy and moral indictment. Who gets to forget? The comfortable, the insulated, the ones not staring at the ledger of history. The quote’s sting is its insinuation that our most celebrated “immortal” acts may be purchased with a deliberate ignorance of limits - personal, political, and ethical.
Coming from a dramatist, this isn’t an abstract maxim; it’s stagecraft. Characters become “immortal” to an audience precisely when they behave with a kind of reckless present-tense certainty, unburdened by the accounting of endings. Forgetting mortality is a performance choice: it produces bravery, vanity, ambition, romance. It also produces folly. The subtext is double-edged: the same denial that fuels creation and heroism also fuels war, cruelty, and the casual waste of other people’s finite lives.
Context matters. Giraudoux wrote in a Europe rattled by mechanized slaughter and the approach of another catastrophe. In that climate, “forgetting” can read as both survival strategy and moral indictment. Who gets to forget? The comfortable, the insulated, the ones not staring at the ledger of history. The quote’s sting is its insinuation that our most celebrated “immortal” acts may be purchased with a deliberate ignorance of limits - personal, political, and ethical.
Quote Details
| Topic | Mortality |
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