"A man is a god in ruins. When men are innocent, life shall be longer, and shall pass into the immortal, as gently as we awake from dreams"
About this Quote
Emerson doesn’t flatter humanity here so much as indict it: the “god” is real, but he’s “in ruins,” a divinity collapsed into bad habits, conformity, and spiritual amnesia. It’s classic Transcendentalist provocation - not church doctrine, not inherited tradition, but the insistence that the self carries a native, almost cosmic authority. The sting is that we’re living beneath our own capacity, mistaking the wreckage for the whole building.
The second sentence turns that indictment into an audacious promise. “Innocent” isn’t childish naivete; it’s moral clarity, an uncorrupted perception. For Emerson, innocence is a way of seeing that restores power: when you stop lying to yourself and borrowing your beliefs, life “shall be longer” - not necessarily in years, but in density, in felt time, in meaning. He’s aiming at a culture he saw as spiritually cramped by industrial routine and social respectability, where people traded inner freedom for public approval.
The dream-waking image is doing quiet rhetorical work. Death isn’t framed as terror or punishment but as a gentle transition, suggesting immortality as continuity with nature rather than a courtroom afterlife. Emerson’s intent is less to comfort than to recruit: recover innocence, rebuild the ruined god, and the boundary between the finite and the eternal starts to look less like a wall than a door you’ve forgotten how to open.
The second sentence turns that indictment into an audacious promise. “Innocent” isn’t childish naivete; it’s moral clarity, an uncorrupted perception. For Emerson, innocence is a way of seeing that restores power: when you stop lying to yourself and borrowing your beliefs, life “shall be longer” - not necessarily in years, but in density, in felt time, in meaning. He’s aiming at a culture he saw as spiritually cramped by industrial routine and social respectability, where people traded inner freedom for public approval.
The dream-waking image is doing quiet rhetorical work. Death isn’t framed as terror or punishment but as a gentle transition, suggesting immortality as continuity with nature rather than a courtroom afterlife. Emerson’s intent is less to comfort than to recruit: recover innocence, rebuild the ruined god, and the boundary between the finite and the eternal starts to look less like a wall than a door you’ve forgotten how to open.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Help us find the source |
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