"A man is never completely alone in this world. At the worst, he has the company of a boy, a youth, and by and by a grown man - the one he used to be"
About this Quote
Loneliness, Pavese suggests, is less an empty room than an overcrowded one. Even when the world withdraws, the self doesn’t: it turns up in multiple ages, each version trailing the next like a shadow you can’t shake. The line is built on a quiet trick of consolation that immediately curdles into indictment. “At the worst” sounds like comfort, but what follows isn’t a friend; it’s a tribunal of former selves. The “boy” and “youth” aren’t nostalgia props. They’re witnesses.
Pavese’s intent feels double: to deny the romantic myth of pure solitude while also exposing the claustrophobia of memory. The phrasing “by and by” carries the weary rhythm of time passing without relief. You don’t grow out of who you were; you accumulate him. That’s the subtext: identity isn’t a clean arc of self-improvement, it’s a stacking of unfinished lives, each with its own humiliations, hopes, compromises. When you’re “alone,” you’re stuck in conversation with the person who made earlier choices and the person who will have to live with them.
Context matters because Pavese’s work is steeped in alienation, the ache of belonging, and the sharp edge where introspection becomes self-surveillance. Writing in a 20th-century Italy scarred by war, ideology, and personal dislocation, he treats the interior life as both refuge and trap. The line lands because it refuses sentimental uplift: the company you keep is you, and you are not necessarily kind.
Pavese’s intent feels double: to deny the romantic myth of pure solitude while also exposing the claustrophobia of memory. The phrasing “by and by” carries the weary rhythm of time passing without relief. You don’t grow out of who you were; you accumulate him. That’s the subtext: identity isn’t a clean arc of self-improvement, it’s a stacking of unfinished lives, each with its own humiliations, hopes, compromises. When you’re “alone,” you’re stuck in conversation with the person who made earlier choices and the person who will have to live with them.
Context matters because Pavese’s work is steeped in alienation, the ache of belonging, and the sharp edge where introspection becomes self-surveillance. Writing in a 20th-century Italy scarred by war, ideology, and personal dislocation, he treats the interior life as both refuge and trap. The line lands because it refuses sentimental uplift: the company you keep is you, and you are not necessarily kind.
Quote Details
| Topic | Nostalgia |
|---|---|
| Source | Help us find the source |
More Quotes by Cesare
Add to List






