"A man loves the meat in his youth that he cannot endure in his age"
About this Quote
Shakespeare nails a peculiarly human embarrassment: the way desire can age into intolerance, and how confidently we misread our own appetites as permanent. On its face, it is about literal digestion: the rich, heavy meat a young man craves becomes the very thing his older body rejects. But the line is built to travel beyond the stomach. "Meat" is blunt, bodily, faintly comic in its plainness; it keeps the thought anchored in appetite rather than lofty preference. That choice matters because Shakespeare is interested in the tyranny of the body over the stories we tell about ourselves.
The subtext is a quiet indictment of youthful certainty. Youth doesn’t just want intensely; it assumes its wanting is truth. Age arrives not as wisdom’s crown but as a kind of betrayal: the self’s former pleasures return as liabilities. The verb pairing is the engine here. "Loves" suggests romance, devotion, even identity. "Cannot endure" is colder and harsher, a phrase that makes pleasure sound like a physical trial. The drop from love to endurance compresses an entire life-cycle of disillusionment into one neat turn.
In Shakespeare’s world, that shift plays against the era’s moral and medical thinking. Early modern audiences understood diet and temperament (hot, cold, moist, dry) as linked; what suits one season of life can unsettle another. Dramatically, it’s also a sly warning: be wary of building character, ethics, or loyalty on appetite, because appetite is the least loyal thing we own.
The subtext is a quiet indictment of youthful certainty. Youth doesn’t just want intensely; it assumes its wanting is truth. Age arrives not as wisdom’s crown but as a kind of betrayal: the self’s former pleasures return as liabilities. The verb pairing is the engine here. "Loves" suggests romance, devotion, even identity. "Cannot endure" is colder and harsher, a phrase that makes pleasure sound like a physical trial. The drop from love to endurance compresses an entire life-cycle of disillusionment into one neat turn.
In Shakespeare’s world, that shift plays against the era’s moral and medical thinking. Early modern audiences understood diet and temperament (hot, cold, moist, dry) as linked; what suits one season of life can unsettle another. Dramatically, it’s also a sly warning: be wary of building character, ethics, or loyalty on appetite, because appetite is the least loyal thing we own.
Quote Details
| Topic | Aging |
|---|---|
| Source | Help us find the source |
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