"A multiple personality is in a certain sense normal"
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Normality, for Mead, is less a calm center than a crowded room. When he calls “a multiple personality” normal “in a certain sense,” he’s not flirting with sensational psychology so much as puncturing the fantasy of a single, sealed self. His whole project in social philosophy is to show that mind and identity aren’t private possessions; they’re built in public, through language, gestures, and the constant need to anticipate how others see us.
The key is that qualifying phrase, “in a certain sense,” a philosophical scalpel that separates everyday role-shifting from clinical dissociation. Mead’s “multiple personality” isn’t a disorder; it’s the ordinary fact that we carry several versions of ourselves because we live in several social worlds. You are not the same “I” with your boss, your friends, your family, or alone at night replaying a conversation. Each setting supplies its own script, and you learn to inhabit those scripts by internalizing an audience. Mead famously distinguishes the spontaneous “I” from the social “me”; multiplicity is what happens when the “me” is assembled from many publics.
The subtext is quietly radical: if the self is social, then moral and political life aren’t add-ons to identity, they’re its raw materials. “Normal” becomes a democratic claim as much as a psychological one. We’re plural because we’re in relation, and any culture that demands a perfectly consistent self is really demanding obedience to a single, sanctioned role. Mead’s line defends contradiction not as hypocrisy, but as evidence you’ve actually met other people.
The key is that qualifying phrase, “in a certain sense,” a philosophical scalpel that separates everyday role-shifting from clinical dissociation. Mead’s “multiple personality” isn’t a disorder; it’s the ordinary fact that we carry several versions of ourselves because we live in several social worlds. You are not the same “I” with your boss, your friends, your family, or alone at night replaying a conversation. Each setting supplies its own script, and you learn to inhabit those scripts by internalizing an audience. Mead famously distinguishes the spontaneous “I” from the social “me”; multiplicity is what happens when the “me” is assembled from many publics.
The subtext is quietly radical: if the self is social, then moral and political life aren’t add-ons to identity, they’re its raw materials. “Normal” becomes a democratic claim as much as a psychological one. We’re plural because we’re in relation, and any culture that demands a perfectly consistent self is really demanding obedience to a single, sanctioned role. Mead’s line defends contradiction not as hypocrisy, but as evidence you’ve actually met other people.
Quote Details
| Topic | Mental Health |
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