"A novel should be an experience and convey an emotional truth rather than arguments"
About this Quote
Cary is drawing a line in the sand between the novel as lived reality and the novel as courtroom brief. The word "experience" is the tell: he wants fiction to land in the body before it lands in the brain, to feel less like being persuaded and more like being changed. In an era when the English novel was constantly being recruited for missions - moral uplift, political instruction, sociological documentation - Cary is insisting on a different authority. Not the authority of proof, but the authority of felt life.
"Emotional truth" is doing quiet, ambitious work here. It is not sentimentality, not a plea for tearjerkers, but a claim that some realities can only be known through the imagination: contradiction, self-deception, desire, the way people rationalize what they cannot justify. Arguments flatten that mess into positions; experience preserves the mess and makes it intelligible. Cary is also protecting the novel's freedom to be ambiguous. An argument wants to win. A novel, at its best, wants to haunt.
The context matters: Cary wrote across the first half of the 20th century, when propaganda, ideological certainty, and mass politics were escalating. Against that background, his preference for emotional truth reads almost like a democratic ethic. Fiction becomes a space where readers practice empathy without being told what to think, where characters are not examples but human beings. It's a defense of art as sensation and moral complexity, not messaging dressed up as plot.
"Emotional truth" is doing quiet, ambitious work here. It is not sentimentality, not a plea for tearjerkers, but a claim that some realities can only be known through the imagination: contradiction, self-deception, desire, the way people rationalize what they cannot justify. Arguments flatten that mess into positions; experience preserves the mess and makes it intelligible. Cary is also protecting the novel's freedom to be ambiguous. An argument wants to win. A novel, at its best, wants to haunt.
The context matters: Cary wrote across the first half of the 20th century, when propaganda, ideological certainty, and mass politics were escalating. Against that background, his preference for emotional truth reads almost like a democratic ethic. Fiction becomes a space where readers practice empathy without being told what to think, where characters are not examples but human beings. It's a defense of art as sensation and moral complexity, not messaging dressed up as plot.
Quote Details
| Topic | Writing |
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