"A particularly beautiful woman is a source of terror. As a rule, a beautiful woman is a terrible disappointment"
About this Quote
Beauty, for Jung, isn’t a reward; it’s an eruption of psyche. Calling a “particularly beautiful woman” a “source of terror” signals less about women than about what beauty does to the observer: it detonates projection. In Jungian terms, the face becomes a screen for the anima, the inner feminine image that carries longing, salvation fantasies, and dread. Terror arrives because the stakes get inflated. Beauty promises meaning. It hints at wholeness. The mind responds with obsession, reverence, possession, panic.
Then comes the twist: “as a rule” she’s a “terrible disappointment.” Jung is needling the mismatch between an archetype and an actual person. When you load someone with myth, you don’t meet them; you audition them for a role. Reality can’t compete with the psychic superstructure. Disappointment isn’t the woman failing to be “enough,” but the admirer discovering that the cathedral they built was made of wishful thinking.
The line also reflects the early 20th-century, male, European clinical milieu Jung inhabited: romance and sexuality were analyzed as symptom, symbol, and spiritual problem. His phrasing carries the period’s bluntness (and its gendered asymmetry). Still, the mechanism he’s pointing at is recognizable: modern celebrity culture runs on the same circuitry. We elevate the beautiful into an idea, then punish them for being human.
Jung’s intent is diagnostic and cautionary: if beauty terrifies and disappoints, look inward. The problem isn’t aesthetics. It’s the projection that turns another person into an omen.
Then comes the twist: “as a rule” she’s a “terrible disappointment.” Jung is needling the mismatch between an archetype and an actual person. When you load someone with myth, you don’t meet them; you audition them for a role. Reality can’t compete with the psychic superstructure. Disappointment isn’t the woman failing to be “enough,” but the admirer discovering that the cathedral they built was made of wishful thinking.
The line also reflects the early 20th-century, male, European clinical milieu Jung inhabited: romance and sexuality were analyzed as symptom, symbol, and spiritual problem. His phrasing carries the period’s bluntness (and its gendered asymmetry). Still, the mechanism he’s pointing at is recognizable: modern celebrity culture runs on the same circuitry. We elevate the beautiful into an idea, then punish them for being human.
Jung’s intent is diagnostic and cautionary: if beauty terrifies and disappoints, look inward. The problem isn’t aesthetics. It’s the projection that turns another person into an omen.
Quote Details
| Topic | Wisdom |
|---|---|
| Source | Unverified source: C. G. Jung Speaking: Men, Women, and God (Carl Jung, 1955)
Evidence: In C. G. Jung Speaking: p. 239 (section heading/intro is around pp. 243–245 in some PDF scans; quote itself is attributed to the 'Men, Women, and God' interview segment). Primary-source origin appears to be Frederick Sands’s interview with Jung, published as five articles in the London Daily Mail... Other candidates (2) Things I Will Never Tell You (Todd Andrew Rohrer, 2009) compilation95.0% ... Carl Jung If one never gets angry they no longer have brain function. Anger is relative to understanding; not act... Carl Jung (Carl Jung) compilation47.4% to himself than a woman however much a victim of social circumstances a woman may be as a prostitute for instance a m... |
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