"A press card does not provide you with an invisible shield. You're flesh and blood"
About this Quote
Savitch’s line strips the glamour off journalism with the bluntness of someone who’s watched the job seduce people into thinking they’re exempt from consequences. A “press card” is a flimsy rectangle of institutional permission, but it can start to feel like a talisman: access, authority, the implied promise that the world will make room for you because you’re there “to cover” it. Savitch punctures that illusion in two quick beats. First, the myth: the card as an “invisible shield,” a phrase that evokes not just safety but a kind of moral immunity. Then the hard correction: “You’re flesh and blood.” Not a brand. Not a role. A body that can be hurt, manipulated, exhausted, killed.
The intent isn’t anti-press; it’s anti-delusion. Embedded in the warning is a critique of newsroom culture that rewards bravado and proximity to danger, and of a public that sometimes treats journalists as either heroic avatars or disposable interlopers. Savitch’s era made that tension acute: the late 20th century saw broadcast news become a stage for celebrity and adrenaline, even as the risks of reporting - from street-level violence to political backlash - stayed brutally physical.
The subtext is also psychological. Journalists are trained to be observers, to stand adjacent to tragedy without being swallowed by it. Savitch insists the barrier is porous. The work doesn’t just expose you to harm; it tempts you to forget you can be harmed. Her sentence is a prophylactic against the profession’s oldest intoxication: believing that witnessing is the same as being untouchable.
The intent isn’t anti-press; it’s anti-delusion. Embedded in the warning is a critique of newsroom culture that rewards bravado and proximity to danger, and of a public that sometimes treats journalists as either heroic avatars or disposable interlopers. Savitch’s era made that tension acute: the late 20th century saw broadcast news become a stage for celebrity and adrenaline, even as the risks of reporting - from street-level violence to political backlash - stayed brutally physical.
The subtext is also psychological. Journalists are trained to be observers, to stand adjacent to tragedy without being swallowed by it. Savitch insists the barrier is porous. The work doesn’t just expose you to harm; it tempts you to forget you can be harmed. Her sentence is a prophylactic against the profession’s oldest intoxication: believing that witnessing is the same as being untouchable.
Quote Details
| Topic | Life |
|---|---|
| Source | Help us find the source |
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