"A slave has but one master. An ambition man, has as many as there are people who helped him get his fortune"
About this Quote
Mizner’s line lands like a cocktail-party aphorism and then quietly turns the glass into a weapon. He sets up a moral hierarchy we think we recognize: the slave, the ultimate symbol of constraint, “has but one master.” Then he pulls the rug. The “ambition man” (Mizner’s deliberately clunky phrasing makes the type feel generic, almost mass-produced) ends up with “as many” masters as there are hands that boosted him. Success, in this view, isn’t liberation; it’s a multiplication of obligations, favors owed, patrons appeased, egos managed.
The subtext is less about gratitude than about dependence. Mizner is needling the American self-myth of the self-made striver by pointing to the invisible infrastructure beneath any fortune: lenders, fixers, partners, gatekeepers, social connectors. Each one, once they’ve “helped,” acquires leverage. The ambitious person’s wealth becomes a ledger of compromises. That’s why the punchline works: it swaps the obvious captivity (enslavement) for the more socially acceptable kind (networked advancement), suggesting the latter can be just as coercive because it’s disguised as opportunity.
Context matters. Mizner was a dramatist and notorious wisecracker in a Gilded Age-to-Jazz Age America that worshiped hustle and money while running on patronage, backroom deals, and reputation. In that ecosystem, climbing didn’t just require talent; it required pleasing people with power. Mizner’s cynicism isn’t abstract philosophy. It’s street-level realism dressed up as a quip: the price of getting rich is that you never stop auditioning for the people who made it possible.
The subtext is less about gratitude than about dependence. Mizner is needling the American self-myth of the self-made striver by pointing to the invisible infrastructure beneath any fortune: lenders, fixers, partners, gatekeepers, social connectors. Each one, once they’ve “helped,” acquires leverage. The ambitious person’s wealth becomes a ledger of compromises. That’s why the punchline works: it swaps the obvious captivity (enslavement) for the more socially acceptable kind (networked advancement), suggesting the latter can be just as coercive because it’s disguised as opportunity.
Context matters. Mizner was a dramatist and notorious wisecracker in a Gilded Age-to-Jazz Age America that worshiped hustle and money while running on patronage, backroom deals, and reputation. In that ecosystem, climbing didn’t just require talent; it required pleasing people with power. Mizner’s cynicism isn’t abstract philosophy. It’s street-level realism dressed up as a quip: the price of getting rich is that you never stop auditioning for the people who made it possible.
Quote Details
| Topic | Success |
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