"Abortion is either OK or it's not"
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Noonan’s line is engineered to sound like moral clarity and ends up revealing moral impatience. “Either OK or it’s not” is less an argument than a trapdoor: it collapses a messy ethical, medical, and political reality into a binary that forces the listener to pick a team. The power move is grammatical. “Either” and “or” present themselves as neutral logic, as if the debate were a math problem with one correct output, not a tangle of competing goods, tragic choices, and unequal consequences. “OK” does heavy lifting, too: it’s casual, almost conversational, which flattens the difference between personal discomfort and public policy. If something is “not OK,” the implied next step is prohibition; if it’s “OK,” the implied concession is permissiveness without moral residue. There’s no room for “sometimes,” “in these cases,” or “I hate this but…”-the very territory where most people actually live.
The subtext is a warning against compromise: incremental legal standards, trimester frameworks, rape/incest exceptions, health carve-outs are framed as evasions. It suggests that nuance is cowardice, and that any middle position is self-deception. That impulse fits Noonan’s broader brand as a Reagan-era speechwriter turned cultural conservative columnist: politics as moral theater, where the job of language is to harden instincts into principle.
In the post-Roe culture war, the sentence also functions as an accusation. If you accept exceptions, you’re admitting it’s “not OK”; if you defend access, you’re endorsing it wholesale. The line doesn’t persuade so much as sort.
The subtext is a warning against compromise: incremental legal standards, trimester frameworks, rape/incest exceptions, health carve-outs are framed as evasions. It suggests that nuance is cowardice, and that any middle position is self-deception. That impulse fits Noonan’s broader brand as a Reagan-era speechwriter turned cultural conservative columnist: politics as moral theater, where the job of language is to harden instincts into principle.
In the post-Roe culture war, the sentence also functions as an accusation. If you accept exceptions, you’re admitting it’s “not OK”; if you defend access, you’re endorsing it wholesale. The line doesn’t persuade so much as sort.
Quote Details
| Topic | Ethics & Morality |
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